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My Conversation with Matthew Shipp
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in June 1999. Society as a rule, in the nineties, has become so accustomed to being spoon-fed their opinions and their ideas that if Rosie or Oprah doesn't recommend it or some guy fails to give it a thumbs up, it is ...
Jazz Musician of the Day: David S. Ware
All About Jazz is celebrating David S. Ware's birthday today! David S. Ware played the saxophone for over 40 years. First in New Jersey public school bands, and in informal practice sessions with Sonny Rollins as a youth in the '60s; then as part of the fertile NYC Loft Jazz era of the '70s. During this ...
Whit Dickey / William Parker / Matthew Shipp: Village Mothership
by Mark Corroto
If drummer Whit Dickey, bassist William Parker, and pianist Matthew Shipp were a rock band, we might expect them to cover their classic album Circular Temple (Quinton Records, 1992) an LP, later re-released on the Infinite Zero label in 1994. Of course they are not a rock band, but If they were, we probably would demand ...
Matthew Shipp / William Parker: Re-Union
by John Sharpe
Some thirty years after they first recorded together as part of saxophonist David S. Ware's celebrated Quartet, pianist Matthew Shipp and bassist William Parker convened once more in a Paris studio for Re-Union. And though their signature styles have become familiar in the interim thanks to sizeable discographies and frequent collaborations, the pair's ultra-refined chemistry remains ...
William Parker - Matthew Shipp: Re-Union
by Karl Ackermann
Matthew Shipp and William Parker are in a space which they arrived at more or less together. The pair first recorded together with the quartet on David S. Ware's Great Bliss, Vol. 1 (Silkheart, 1991). Not long afterwards, in 1994, they released Zo, the first of their duo projects, on the now-defunct Rise label; it was ...
Matthew Shipp / Whit Dickey: Reels
by Karl Ackermann
Matthew Shipp has managed his way through the 2020-2021 pandemic nicely, thanks in part to a substantial cache of excellent material. Free-jazz drummer Whit Dickey has been working with Shipp for decades, beginning with David S. Ware's quartet. Since 2012 Shipp and Dickey have worked frequently with Brazilian saxophonist Ivo Perelman. Dickey has been part of ...
Tomeka Reid - Joe Morris: Combinations
by John Sharpe
One of the fascinations of a duet is how the alternating tension and balance between the two poles can create an overall mood which differs from either of the constituent parts. Abstraction particularly promotes that sort of ambiguity, and it is especially prevalent in the pairing of cellist Tomeka Reid and guitarist Joe Morris on Combinations, ...
Matthew Shipp: The Piano Equation
by Giuseppe Segala
È difficile non riconoscere fin dalle prime battute lo stile pianistico di Matthew Shipp: l'articolazione del tocco che combina geometrie complesse, dure, spigolose, e volate leggere, quasi noncuranti su alcuni passaggi; l'indugiare sulle sonorità scure di certi accordi e cluster; il soffermarsi su motivi ostinati, liberandosi di essi attraverso virate repentine di atmosfera; i contrasti dinamici. ...
Guillermo E. Brown: Freedom of Music
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in April 2002. When it comes to music, Guillermo E. Brown is something of an omnivore. Whether it be calypso, out jazz, hip hop, or electronica, Brown is all ears. That makes the 25 year-old New Yorker something of an exception to ...
Luís Vicente / John Dikeman / William Parker / Hamid Drake: Goes Without Saying, But It's Got To Be Said
by Mark Corroto
It has been more than half a century since the oracles Albert Ayler and John Coltrane proclaimed their message of freedom to the people of earth. Please excuse the grandiosity of the above statement, but after those two giants passed, a shift in consciousness began to take hold. In the biography of William Parker Universal Tonality: ...
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