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189

Article: Album Review

Brother Jack McDuff: The Concert McDuff

Read "The Concert McDuff" reviewed by David Rickert


Jimmy Smith may be the king of the Hammond B-3, but in the 1960s Brother Jack McDuff could produce records equal to just about anything Smith put out, particularly when recorded in a live setting. The eleven tracks featured here are culled from a variety of concert recordings from Newark to Stockholm and all cook like ...

421

Article: Album Review

Stan Kenton: Stompin' At Newport

Read "Stompin' At Newport" reviewed by David Rickert


For Stan Kenton fans this CD is legendary, rumored to exist but never released. Simply put, Norman Granz recorded one of the finest editions of the Kenton band at the 1957 Newport festival, but the recording was never issued until now. Stompin’ At Newport is a fairly comprehensive overview of what Kenton was up to at ...

220

Article: Album Review

Deodato: Deodato 2

Read "Deodato 2" reviewed by David Rickert


The surprise success of “Also Sprach Zarathrustra” on Prelude prompted Deodato to quickly follow with Deodato 2, a record that closely followed the template of his first number one hit. Deodato knew there was a lot of money to be made courting the rock audience, and there’s little on this record that could safely be called ...

221

Article: Album Review

Duke Ellington: Duke Ellington Live at the Alhamabra

Read "Duke Ellington Live at the Alhamabra" reviewed by David Rickert


The success of Ellington’s appearance at the Newport Jazz Festival in 1956 reinvigorated his career and once again made him a world-wide concert draw at a time when many other big bands were struggling to find work. His appearance at the Alhambra two years later has been circulating in bootleg form for years and is finally ...

462

Article: Album Review

Freddie Hubbard: Red Clay

Read "Red Clay" reviewed by David Rickert


Like Stanley Turrentine, Freddie Hubbard's best work was always in the service of others until he signed with Creed Taylor's CTI label. He then released a trio of albums that represents his crowning achievement as a leader. Red Clay finds him in the company of Herbie Hancock, who played a large part in defining ...

443

Article: Album Review

George Benson: Bad Benson

Read "Bad Benson" reviewed by David Rickert


Some tunes are so sacred that any attempt to cover them can only result in failure. Yet George Benson makes this mistake twice on Bad Benson ; the band can’t quite manage a groove in 5/4 on Brubeck’s “Take Five” and once again falter with a horrid disco version of Ellington’s “Take The ‘A’ Train” complete ...

221

Article: Album Review

Frank Strozier: Long Night

Read "Long Night" reviewed by David Rickert


“Don't Follow The Crowd", a song on Frank Strozier's second release for Jazzland, is an apt title for an artist who worked hard to carve out a niche for himself in the jazz world. Unfortunately, Strozier is one of many who never got his due; despite gigs with Miles Davis, Don Ellis, and Chet Baker, Strozier ...

394

Article: Album Review

Sal Nistico: Heavyweights

Read "Heavyweights" reviewed by David Rickert


Sal Nistico is a fine player from the post-bop school known mainly as a star soloist for Woody Herman (that is, if he’s recognized at all). Like many obscure players from the era, he was also given the opportunity to record some small-group sessions under his own name, two of which are collected here on this ...

319

Article: Album Review

Hampton Hawes: The Sermon

Read "The Sermon" reviewed by David Rickert


Hampton Hawes recorded The Sermon a few days before he was sent to prison for five years on drug charges. The session remained imprisoned for much longer, only receiving a brief release after Hawes’ death. Finally out on CD, The Sermon, as one might expect, is an album of spirituals and church hymns given the jazz ...

157

Article: Album Review

The Mitchell and Ruff Duo: Brazilian Trip/Campus Concert

Read "Brazilian Trip/Campus Concert" reviewed by David Rickert


In retrospect, Mitchell and Ruff were probably victims of label marketing. The first session featured on this two-fer, Brazilian Trip, was more than likely an attempt to capture a piece of the bossa nova pie; the second was released just when jazz began to find a niche on the college campuses. Had the duo found a ...


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