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David Murray Octets on Black Saint
by Patrick Burnette
Younger jazz fans may be only dimly acquainted with the Italian record labels Black Saint and Soul Note, but during their prime in the 1980s both labels released jazz that was adventuresome and challenging without losing touch with tradition. As such, the imprints offered a compelling middle way between the major label output of the time ...
Aki Takase: Cherry – Sakura
by John Sharpe
Twenty three years after their first studio date Blue Monk (Enja, 1993), Japanese pianist Aki Takase and American saxophonist David Murray reunite in Switzerland. There has been one live recording since, Valencia (Sound Hills, 1997), but the question remains what took them so long? The saxophone/piano axis has been a favored format for both. Murray's companions ...
Jason Stein Quartet: Lucille
by Mark Corroto
Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...
Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.
Aki Takase, David Murray: Cherry – Sakura
by Nicola Negri
Un dialogo iniziato oltre vent'anni fa, quello tra Aki Takase e David Murray, quando incisero Blue Monk, un album dedicato alle composizioni di Thelonious Monk. Il pianista di Rocky Mount, nume tutelare della tradizione non allineata del jazz moderno, ritorna anche in questo Cherry--Sakura, che include una bella versione di “Let's Cool One." A parte questo ...
Steve Swell: Appreciating the Avant Garde Today
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the third of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, ...
The Art of Conduction
by Riccardo Brazzale
The Art of Conduction. A conduction Workbook Lawrence “Butch" Morris (Daniela Veronesi -ed.) Karma 224 pages ISBN-13: 978-1942607427 Lawrence Douglas “Butch" Morris was undoubtedly one of the most unusual and, at the same time, influential figures on the “New Jazz" scene of the last decades. Born on ...
Lawrence "Butch" Morris: The Art of Conduction. A conduction Workbook
by Riccardo Brazzale
Vista la complessità della materia trattata, abbiamo pensato di chidere ad uno dei principali direttori e arrangiatori europei, Riccardo Brazzale, di leggere per noi il curatissimo volume di Lawrence “Butch" Morris (a cura di Daniela Veronesi). Quella che segue è la sua recensione. The Art of Conduction. A conduction Workbook Lawrence “Butch" ...
Albert Ayler Quartet: Copenhagen Live 1964
by Mark Corroto
It's almost as if the phenomenon that was saxophonist Albert Ayler was just a dream. Nearly fifty years after his death, listeners (and musicians, for that matter) are still catching up to him, and realizing his gift. His life, like that of Charlie Parker, ended at age 34. But where Parker (an originator of bebop) developed ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
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