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472

Article: Album Review

Miles Davis: Workin' With the Miles Davis Quintet

Read "Workin' With the Miles Davis Quintet" reviewed by David Miller


It usually takes me two listens to determine what I think of an album. The great ones usually convince me with one run-through, though. Upon popping Workin' With the Miles Davis Quintet into the stereo, I knew from the opening notes of “It Never Entered My Mind that I was in for something special. The rest ...

320

Article: Album Review

Mike Holober: Wish List

Read "Wish List" reviewed by David Miller


The great thing about jazz is that you may think you know a lot about a lot, but in reality you don't know jack. It seems every time I pop in a new record, I learn about a new artist I've never heard before. In listening to Mike Holober's Wish List, I was lucky enough to ...

441

Article: Album Review

Roy Haynes and the Fountain of Youth Band: Whereas

Read "Whereas" reviewed by David Miller


Roy Haynes' Fountain of Youth Quartet is exactly what it claims to be: young and vibrant. In one of the last true breeding grounds for young musicians a la Art Blakey's Jazz Messengers, Haynes has made it his purpose to give younger talent a chance to show itself. And what better setting to develop one's talent ...

193

Article: Album Review

Pat Metheny / Brad Mehldau: Metheny Mehldau

Read "Metheny Mehldau" reviewed by David Miller


What happens when two of the most distinct and polarizing musical voices of a generation meet to collaborate on a recording? One might assume there would be a litany of dissonance with patches of too-infrequent beauty, leaving the listener mulling over the potential of such a landmark collaboration. But with Metheny Mehldau, the aptly titled release ...

469

Article: Album Review

Christian McBride: Live At Tonic

Read "Live At Tonic" reviewed by David Miller


Talk about bringin' da funk. Christian McBride and his ensemble of regular band members and special guests brought their A game to Tonic on January 3 and 4, 2005. McBride, well known for his jazz chops and frequent collaborations with Pat Metheny and Chick Corea (among others), has never been one to shy away from his ...

192

Article: Album Review

Bob Belden: Three Days of Rain

Read "Three Days of Rain" reviewed by David Miller


As usual, you can't judge a book by its cover. Bob Belden's original score for the film Three Days of Rain is, plain and simple, an excellent jazz album. There's no way of getting around it. Listen to it and you will be impressed. Sure, Belden's compositions may have been written for the express purpose of ...

189

Article: Album Review

Donny McCaslin: Soar

Read "Soar" reviewed by David Miller


With certain musicians play, you get the feeling that they're on a level above their peers. And what's more, it seems to come easy to them. Current saxophonists that fit this mould include Chris Potter, Joe Lovano and Kenny Garrett. Add Donny McCaslin to that list. As a neophyte to McCaslin's work, I ...

106

Article: Album Review

Samo Salamon Quartet: Two Hours

Read "Two Hours" reviewed by David Miller


Samo Salamon is a master guitarist. His chops go unchallenged; at any moment he could play any note or chord on the instrument. That said, Two Hours is a disappointment. Salamon and his bandmates (Tony Malaby, tenor sax; Mark Helias, bass; Tom Rainey, drums) fall victim to two of the biggest traps in jazz: sub-par songwriting ...

178

Article: Album Review

Ray Russell: Goodbye Svengali

Read "Goodbye Svengali" reviewed by David Miller


Ray Russell is an eclectic. From rock to free jazz, fusion and pop, the guitarist has done it all. His newest effort, Goodbye Svengali, a tribute to a like-minded spirit (Gil Evans), highlights Russell's eclecticism. Nearly all of the aforementioned ground is covered, and Russell is in rare form throughout. Structuring this recording as a tribute ...

162

Article: Album Review

Gonzalo Rubalcaba: Solo

Read "Solo" reviewed by David Miller


In recent recordings, Gonzalo Rubalcaba has reined in his considerable chops to pursue a more introspective direction, and Solo is a natural step in this direction. As the title hints, the recording finds Rubalcaba alone at his piano, ruminating. In this setting the pianist is more introspective than ever, frequently using silence as his means of ...


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Terry Heimat

composer / conductor

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