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Joshua Redman: Passage of Time
by David Adler
Joshua Redman is growing more consistent. Each new record is more profound and individual than the last. With Beyond, his 2000 effort, the young tenor star debuted a new quartet, featuring Aaron Goldberg on piano, Reuben Rogers on bass, and Gregory Hutchinson on drums. Redman has tended to change bands from record to record, but here ...
Chick Corea New Trio: Past, Present & Futures
by David Adler
Putting Origin on the shelf for a moment, Chick Corea sets about getting intimate with the band's rhythm section on this invigorating trio release. Corea also takes this opportunity to premiere 10 entirely new compositions as well as a lively reading of Fats Waller's “Jitterbug Waltz." Together with the phenomenal Avishai Cohen on bass and Jeff ...
Ralph Towner: Anthem
by David Adler
Ralph Towner recently turned 60, and his age has only made him more eloquent, more imaginative, more able to cast a spell. Anthem, his new solo guitar record and his 20th title for ECM, is the follow-up to 1997's solo recital, Ana. It also coincides with ECM's reissue of Diary, Towner's 1974 effort, on which he ...
Andrew Hill: Lift Every Voice
by David Adler
Originally released in 1969, Lift Every Voice was one of the last of Andrew Hill's early Blue Note sessions, and easily one of the most unorthodox. Featuring a jazz quintet augmented by a small choir, the album brings to mind some of Steve Lacy's work with Irene Aebi, or the vocal tracks on Ornette Coleman's Science ...
Various Artists: Jazz: Live from New York
by David Adler
This Telarc sampler pulls together material recorded live in New York and previously released throughout the course of the 1990s. Most of the tracks feature old masters at a late point in their careers, and in remarkably good shape. Some — Al Grey, Dizzy Gillespie, Harry “Sweets" Edison, Mel Torme, and Stéphane Grappelli — would soon ...
Dena DeRose: I Can See Clearly Now
by David Adler
Dena DeRose’s third CD for Sharp Nine boasts some uncommonly clever arrangements. The biggest surprise is “Detour Ahead," which gets a double-time treatment. Dwayne Burno plays electric bass, Matt Wilson funks it up with a syncopated snare drum rhythm, and Joe Locke weighs in with an adroit vibes solo. On the second A section, when DeRose ...
Gary Burton: For Hamp, Red, Bags, and Cal
by David Adler
Gary Burton’s new release is a tribute record with a four-pronged twist, and with four different lineups. The vibraphonist’s honorees are Lionel Hampton, Red Norvo, Milt Jackson, and Cal Tjader — a grouping that provides a convenient historical survey of the vibraphone in jazz. While the result may not be a creative watershed, it definitely swings.
Louis Armstrong: Louis Armstrong: The Ultimate Collection
by David Adler
The flood of Armstrong collections and boxed sets has only grown in the aftermath of Ken Burns’ Jazz documentary. If you’re in the market for one, Verve’s latest triple-disc release would have to rank as an exceptionally good value. With 21 tracks on the first two discs and 17 on the third, there’s no skimping at ...
Oscar Noriega: Luciano's Dream
by David Adler
The full name of this ensemble is Oscar Noriega’s Play Party, and some of the music on Luciano’s Dream is indeed playful, with an edgy, avant-garde sensibility. But the album’s title track is certainly no laughing matter, as it is dedicated to a person who would have become Noriega’s brother-in-law had he not committed suicide at ...
David Hazeltine: The Classic Trio, Volume II
by David Adler
This follow-up to 1997’s The Classic Trio features the same lineup: David Hazeltine on piano, Peter Washington on bass, and Louis Hayes on drums. Like its predecessor, Volume II includes a mix of standards and originals. Hazeltine is at his best on the standards, exhibiting a command that allows him to quote “52nd Street Theme" in ...
