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235

Article: Album Review

David Hazeltine Trio: Senor Blues

Read "Senor Blues" reviewed by David A. Orthmann


Although they appear infrequently in a club or on a concert stage, the trio consisting of pianist and leader David Hazeltine, bassist Peter Washington, and drummer Louis Hayes is one of the most exciting recording units in the jazz mainstream. The connection between Hazeltine and Hayes dates back to the mid-90s, when the pianist joined the ...

159

Article: Album Review

David Hazeltine: The Classic Trio, Volume II

Read "The Classic Trio, Volume II" reviewed by David A. Orthmann


Recording for independent labels such as Sharp Nine, Criss Cross, Venus, and Go Jazz, in less than a decade David Hazeltine has amassed an impressive body of work as a leader. Viewed as a whole, the music on these discs amply documents his strengths as a player, musical thinker, and director of small ensembles. First and ...

388

Article: Album Review

Sonny Rollins: This Is What I Do

Read "This Is What I Do" reviewed by David A. Orthmann


For those who believe that Sonny Rollins’ best days as a recording artist are well behind him: think again. This Is What I Do is an unmitigated triumph, a performance that will impress anyone who takes the art of jazz seriously. As the six cuts on the disc attest, Rollins is clearly not content to rest ...

146

Article: Album Review

One For All: The Long Haul

Read "The Long Haul" reviewed by David A. Orthmann


Working within the broad parameters of hard-swinging, harmonically sophisticated small-band styles from the 40s, 50s, and 60s, the music of the sextetOne For Allalso reflects the experiences of the individual members outside of their cooperative band. An incomplete but telling list of leaders who have employed and influenced various members of the crew includes Cecil Payne, ...

196

Article: Album Review

Sam Jones: Something In Common

Read "Something In Common" reviewed by David A. Orthmann


The reissue of these two sessions from the mid-seventies affirms the vitality of hard bop more than a decade after its heyday. Something In Common features some of the genre’s principal practitioners, most of whom played in definitive ensembles led by Horace Silver, Art Blakey, or Cannonball Adderley. The material is generated largely from within the ...

159

Article: Album Review

John LaPorta: Life Cycle

Read "Life Cycle" reviewed by David A. Orthmann


It is unfortunate that John LaPorta’s accomplishments as jazz educator, including three decades at the Berklee College of Music, may have overshadowed his expertise as a player, especially stints with Woody Herman’s big band, and the combos of Lennie Tristano and Charles Mingus. Life Cycle, his ninth recording as a leader (or co-leader), is an assured ...

197

Article: Album Review

Dena DeRose: I Can See Clearly Now

Read "I Can See Clearly Now" reviewed by David A. Orthmann


The marriage of the American Popular Songbook and the jazz tradition of improvisation and innovation continue to bear exquisite fruit on singer/pianist Dena DeRose’s third recording for the Sharp Nine imprint. DeRose uses the basic structure of the songs as a point of departure in fashioning treatments that retain the spirit of the material while taking ...

224

Article: Album Review

Roberta Piket Trio: speak, memory

Read "speak, memory" reviewed by David A. Orthmann


Roberta Piket plays the piano with the sensibility of someone on an endless search, yet she makes music that is accessible to the listener who is willing to meet her halfway. On speak, memory, her steely determination is balanced by a willingness to interact conversationally with bassist Masa Kamaguchi and drummer Jeff Williams (her musical partner ...

230

Article: Album Review

Michael Karn Quintet: In Focus

Read "In Focus" reviewed by David A. Orthmann


Michael Karn’s maiden voyage as a leader reveals an accomplished tenor saxophonist who is capable of shaping the sound of a quintet like a veteran. His playing is influenced by Coltrane, Mobley, Gordon, and Henderson, but nonetheless has attained an impressive degree of individuality. Similarly, the band’s sound can be placed in the modern mainstream, and ...

176

Article: Album Review

Walt Weiskopf Nonet: Siren

Read "Siren" reviewed by David A. Orthmann


On his sixth outing for the Criss Cross label, Walt Weiskopf delivers a stunning recording, an artistic achievement of the highest order. Weiskopf has developed his talents as a composer, arranger, and tenor saxophonist to the extent that each aspect demands the listener’s attention, thus making repeated listening an adventure and a pleasure. In addition, he ...


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