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Mike LeDonne: Bags Groove
by David A. Orthmann
The survival of jazz as a living art form depends on the transmission of essential performance elements from one generation to the next, with the proviso that youth eventually contribute something new to the tradition rather than simply stay in place. Heeding all aspects of this process,Bags Groove, Mike LeDonne’s homage to the late Milt Jackson, ...
Nick Scheuble: In The Pocket
by David A. Orthmann
For most of the 1990s, drummer Nick Scheuble was a fixture on the New Jersey jazz scene. A bandleader with a knack for landing gigs on a regular basis in a variety of venues, Scheuble presided over a number of mainstream ensembles, including a piano trio, a quintet with two horns, an organ combo, and a ...
Clarence Penn Quintet: Play-Penn
by David A. Orthmann
Listening to a band rummage through a number of modern jazz styles during the course of a set is now closer to a rule than an exception. Shunning a single easily recognizable paradigm based on the music’s glorified past, many musicians embrace the vagaries of a constantly shifting artistic landscape. The best of them (quite a ...
Louis Hayes Quintet: The Candy Man
by David A. Orthmann
Because the fundamental elements of jazz performance are now routinely altered (sometimes beyond recognition) or abandoned altogether, its tough to direct criticism at musicians who play in conventional styles but don’t always toe the line. In the case of drummer Louis Hayes, it may not be fair to point out his occasional rushing of the beat, ...
Jim Rotondi: Destination Up
by David A. Orthmann
These days taking a place in the modern mainstream of jazz is no simple matter. A single-minded devotion to a handful of influences, to name one pitfall, does not bode well for finding a singular voice in a musical tradition that places a premium on individuality. There is an abundance of young, technically proficient musicians who ...
Jim Rotondi: Destination Up
by David A. Orthmann
These days taking a place in the modern mainstream of jazz is no simple matter. A single-minded devotion to a handful of influences, to name one pitfall, does not bode well for finding a singular voice in a musical tradition that places a premium on individuality. There is an abundance of young, technically proficient musicians who ...
Sharp Nine Class of 2001: On The Loose
by David A. Orthmann
Having developed a select roster of artists such as Brian Lynch, David Hazeltine, and Dena DeRose, Sharp Nine Records owner/producer Marc Edelman has turned his attention to some newcomers on the New York City jazz scene. To his credit, Edelman is not touting the youthful sextet, dubbed the Sharp Nine Class of 2001, or any of ...
Stan Levey: This Time The Drum's On Me
by David A. Orthmann
Although seldom recognized in jazz history texts, Stan Levey was in the thick of the bebop revolution of the 1940s, working and recording with Dizzy Gillespie and Charlie Parker, as well as gigging with Thelonious Monk in a group led by Coleman Hawkins. On the recently reissuedThis Time The Drum’s On Me, one of three recordings ...
Gene Ludwig: Soul Serenade
by David A. Orthmann
Aside from extended touring with Sonny Stitt, Arthur Prysock, as well as in a trio co-led with Pat Martino, Hammond B3 Organ master Gene Ludwig’s activities have primarily taken place within the Pittsburgh, Pa. area jazz scene. Although widespread recognition has eluded Ludwig, his command of the instrument and ability to make vital music while sustaining ...
John Swana and The Philadelphians: Philly Gumbo
by David A. Orthmann
During a decade long association with the Criss Cross imprint, John Swana has produced an impressive aggregate of achievement, 15 discs in all, as a leader or featured sideman. On his own records, Swana usually adheres to the label's practice of utilizing a select pool of New York area musicians, ranging from young firebrands like Eric ...


