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171

Article: Album Review

Mike LeDonne: Bags Groove

Read "Bags Groove" reviewed by David A. Orthmann

by David A. Orthmann

The survival of jazz as a living art form depends on the transmission of essential performance elements from one generation to the next, with the proviso that youth eventually contribute something new to the tradition rather than simply stay in place. Heeding all aspects of this process,Bags Groove, Mike LeDonne’s homage to the late Milt Jackson, ...

90

Article: Album Review

Nick Scheuble: In The Pocket

Read "In The Pocket" reviewed by David A. Orthmann

by David A. Orthmann

For most of the 1990s, drummer Nick Scheuble was a fixture on the New Jersey jazz scene. A bandleader with a knack for landing gigs on a regular basis in a variety of venues, Scheuble presided over a number of mainstream ensembles, including a piano trio, a quintet with two horns, an organ combo, and a ...

97

Article: Album Review

Clarence Penn Quintet: Play-Penn

Read "Play-Penn" reviewed by David A. Orthmann

by David A. Orthmann

Listening to a band rummage through a number of modern jazz styles during the course of a set is now closer to a rule than an exception. Shunning a single easily recognizable paradigm based on the music’s glorified past, many musicians embrace the vagaries of a constantly shifting artistic landscape. The best of them (quite a ...

108

Article: Album Review

Louis Hayes Quintet: The Candy Man

Read "The Candy Man" reviewed by David A. Orthmann

by David A. Orthmann

Because the fundamental elements of jazz performance are now routinely altered (sometimes beyond recognition) or abandoned altogether, its tough to direct criticism at musicians who play in conventional styles but don’t always toe the line. In the case of drummer Louis Hayes, it may not be fair to point out his occasional rushing of the beat, ...

155

Article: Album Review

Jim Rotondi: Destination Up

Read "Destination Up" reviewed by David A. Orthmann

by David A. Orthmann

These days taking a place in the modern mainstream of jazz is no simple matter. A single-minded devotion to a handful of influences, to name one pitfall, does not bode well for finding a singular voice in a musical tradition that places a premium on individuality. There is an abundance of young, technically proficient musicians who ...

129

Article: Album Review

Jim Rotondi: Destination Up

Read "Destination Up" reviewed by David A. Orthmann

by David A. Orthmann

These days taking a place in the modern mainstream of jazz is no simple matter. A single-minded devotion to a handful of influences, to name one pitfall, does not bode well for finding a singular voice in a musical tradition that places a premium on individuality. There is an abundance of young, technically proficient musicians who ...

100

Article: Album Review

Sharp Nine Class of 2001: On The Loose

Read "On The Loose" reviewed by David A. Orthmann

by David A. Orthmann

Having developed a select roster of artists such as Brian Lynch, David Hazeltine, and Dena DeRose, Sharp Nine Records owner/producer Marc Edelman has turned his attention to some newcomers on the New York City jazz scene. To his credit, Edelman is not touting the youthful sextet, dubbed the Sharp Nine Class of 2001, or any of ...

167

Article: Album Review

Stan Levey: This Time The Drum's On Me

Read "This Time The Drum's On Me" reviewed by David A. Orthmann

by David A. Orthmann

Although seldom recognized in jazz history texts, Stan Levey was in the thick of the bebop revolution of the 1940s, working and recording with Dizzy Gillespie and Charlie Parker, as well as gigging with Thelonious Monk in a group led by Coleman Hawkins. On the recently reissuedThis Time The Drum’s On Me, one of three recordings ...

123

Article: Album Review

Gene Ludwig: Soul Serenade

Read "Soul Serenade" reviewed by David A. Orthmann

by David A. Orthmann

Aside from extended touring with Sonny Stitt, Arthur Prysock, as well as in a trio co-led with Pat Martino, Hammond B3 Organ master Gene Ludwig’s activities have primarily taken place within the Pittsburgh, Pa. area jazz scene. Although widespread recognition has eluded Ludwig, his command of the instrument and ability to make vital music while sustaining ...

174

Article: Album Review

John Swana and The Philadelphians: Philly Gumbo

Read "Philly Gumbo" reviewed by David A. Orthmann

by David A. Orthmann

During a decade long association with the Criss Cross imprint, John Swana has produced an impressive aggregate of achievement, 15 discs in all, as a leader or featured sideman. On his own records, Swana usually adheres to the label's practice of utilizing a select pool of New York area musicians, ranging from young firebrands like Eric ...


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