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Dave Rempis/Joshua Abrams/Avreeayl Ra + Jim Baker: Perihelion
by Mark Corroto
These days, it's a luxury to have a working jazz band. It's funny to think in those terms, isn't it? Sure, that was a nice record, you think. But modern musicians, particularly jazz musician often play in multiple ensembles, in theatre productions, teach music lessons privately, and curate local music series. These things are often accomplished ...
Western Automatic
By Dave Rempis
Label: Aerophonic Records
Released: 2015
Track listing: Burn Unit; Remnant; Broken Record Fugue; The Rush; Camera Obscura; P.O.P.; Hotsy Totsy; Detroit Fields.
Rob Mazurek and Black Cube Sp al Torrione di Ferrara
by Luca Canini
Bologna Jazz Festival Torrione Jazz Club Ferrara 20.11.2015 Fissiamo una data: gennaio 2007. Non che Rob Mazurek fino ad allora si fosse risparmiato in quanto a dischi e collaborazioni (soprattutto sul fronte Chicago Underground), ma è innegabile che il debutto su Thrill Jockey dell'Exploding Star Orchestra, We Are ...
Ken Vandermark Resonance Ensemble: Double Arc
by Mark Corroto
For the most part, we only follow the trajectory of an artist's career many years after his work has been completed. Looking back at the career of Miles Davis, you can now play connect-the-dots from bebop to Gil Evans to modal jazz to electric Miles. Certainly, back in the day, many a listener knew not where ...
Ballister: Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love: Worse for the Wear
by Angelo Leonardi
Cinque dischi in cinque anni non sono male per un trio dalla spiccata identità free, con innesti rumoristico/elettronici. Nato nel 2011, Ballister è formato dal sassofonista Dave Rempis, dal violocellista Fred Lonberg-Holm e dal batterista norvegese Paal Nilssen-Love, tutti partner -a vario titolo -di Ken Vandermark e dei massimi strumentisti radicali che fanno base ...
Shelton / Lonberg-Holm / Rosaly: Resounder
by Mark Corroto
There is no connection whatsoever between the improvised electro-acoustic music of Resounder and Carl Stalling's musical accompaniment and his adaptations of music composed by Raymond Scott for Warner Brothers' Merrie Melodies and Looney Tunes cartoon. Except that, the music of Aram Shelton, Fred Lonberg-Holm, and Frank Rosaly evokes a sort of theatre of the mind. The ...
Chicago Reed Quartet: Western Automatic
by John Sharpe
After a heyday in the late 1970s which saw the World Saxophone Quartet, ROVA and the 29th Street Saxophone Quartet, to list but three of the more celebrated, strutting their stuff, the format has undergone a hiatus more recently. However it remains firmly established as an instrumental configuration and perhaps the only surprise is that it ...
The Rempis Percussion Quartet: Cash And Carry
by John Sharpe
Ornette Coleman was one of the first to use two drummers in a smaller ensemble for his seminal double quartet Free Jazz (Atlantic, 1961). In doing so they established the template for dual interaction, as Ed Blackwell majored on drum patterns while Billy Higgins emphasized the cymbals. While the format has become much more widespread as ...
Steel Bridge Trio: Different Clocks
by Mark Corroto
Heard at the imaginary music awards ceremony, “and the winner of the quietest and most accessible avant-garde recording of 2015 (dramatic pause), Different Clocks by Steel Bridge Trio." “Accepting the award for the trio is Jimmy Giuffre and Eric Dolphy. If there were such awards, and certainly there should be, Chicagoan Tim Daisy would ...
Satoko Fujii Orchestra Berlin: Ichigo Ichie
by Mark Corroto
I'm going to propose a computer “app" called Big Band World Domination. With this software players would be able to go forward and backward in time to have big bands compete against each other. Spin back to the territory bands of the 1920s, 30s, all the way to the 1960s, and then up to today. We ...
