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571

Article: Live Review

DC Jazz Festival: June 1-13, 2011

Read "DC Jazz Festival: June 1-13, 2011" reviewed by Franz A. Matzner


DC Jazz Festival 2011 Washington, DCJune 1-13, 2011 The DC Jazz Festival's seventh year was defined in equal measure by the event's now distinct combination of local acts and headline guests, spread throughout the city's stages, museums, and local clubs. Unlike many festivals, the DC Jazz Festival has maintained an exclusive ...

223

Article: Live Review

Undead Jazz Festival: Day 2, June 24, 2011

Read "Undead Jazz Festival: Day 2, June 24, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 Sometimes a great idea just begs to be used again. The first performance of Search and Restore's “round-robin style" improvisation cycle last December proved its worth went beyond novelty. ...

102

News: Festival

Vision Festival 16 - June 9: An Evening of Special Projects

Vision Festival 16 - June 9: An Evening of Special Projects

The special project nights embody the epitome of the festival and the most striking contrast with the pre packaged, off the shelf bloat fests. And the events are thoughtfully timed to allow for movement between performances in the Main Stage and the Downstairs Theater, where the evening begins with the final panel discussion looking to education ...

91

Article: Album Review

David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown

Read "Planetary Unknown" reviewed by John Sharpe


Saxophone giant David S. Ware's comeback following a kidney transplant continues apace, this time within a new super group comprising some of the brighter magnitude bodies in the free jazz firmament. Ware's post-op output includes potent showings in Saturnian (Aum Fidelity, 2009) and Onecept (Aum Fidelity, 2010) but Planetary Unknown represents the strongest achievement yet. In ...

101

Article: Album Review

Darius Jones / Matthew Shipp: Cosmic Lieder

Read "Cosmic Lieder" reviewed by John Sharpe


Duets with saxophonists loom large in pianist Matthew Shipp's discography. His first release featured one such with a young Rob Brown--Sonic Explorations (Cadence Jazz, 1988)--and there have been further outings over the years with other reed men, including Roscoe Mitchell, Ivo Perelman, Evan Parker and Sabir Mateen. To add to that impressive roster comes a worthy ...

272

News: Recording

Darius Jones and Matthew Shipp - Cosmic Lieder (Aum Fidelity, 2011)

Darius Jones and Matthew Shipp - Cosmic Lieder (Aum Fidelity, 2011)

Alto Saxophonist Darius Jones has made quite a splash for himself in the avant- jazz scene, with his debut album Mannish Boy and his playing in the extraordinary collective Little Women. Joining forces with the great pianist Matthew Shipp was a masterstroke, as the two musicians complement and combat each other on a series of thirteen ...

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News: Recording

Darius Jones and Matthew Shipp - Cosmic Lieder (2011)

Darius Jones and Matthew Shipp - Cosmic Lieder (2011)

By S. Victor Aaron Going from unknown two years ago to co-leading a duet record with Matthew Shipp is a meteoric rise in the avant jazz world, much less any world, but that's just what alto saxophonist has accomplished in this short time frame. In the fall of 2009, Jones released his debut album, the critically ...

285

Article: Album Review

Darius Jones / Matthew Shipp: Cosmic Lieder

Read "Cosmic Lieder" reviewed by Troy Collins


Cosmic Lieder documents the first recorded collaboration between rising alto saxophone star Darius Jones and venerable pianist Matthew Shipp. Veering between dark lyricism and roiling catharsis, the date offers an illuminating window into the creative discourse between two different generations of the avant-garde. Released concurrently with the expansive live double album, The Art of ...

332

Article: Album Review

Darius Jones / Matthew Shipp: Cosmic Lieder

Read "Cosmic Lieder" reviewed by Nic Jones


Cosmic Lieder contains the sound of a duo engaged in an exercise in totality, which takes in no small amount of the music's past even while there's never any doubt that both players are concerned with music of the future--though, happily, not over-earnestly so. But to call this program a “coming-of-age" would be misleading. Of the ...


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