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7

Article: Extended Analysis

David Binney: Lifted Land

Read "David Binney: Lifted Land" reviewed by John Kelman


In a career that seems to go from strength to strength and milestone to milestone, it's hard to imagine how David Binney manages to not only release one terrific record after another, but to do so, in some cases, under some pretty constricting terms. Like the five other albums that the influential saxophonist/composer has recorded as ...

13

Article: Interview

David Fiuczynski: In the In Between

Read "David Fiuczynski: In the In Between" reviewed by Daniel Lehner


The most recent compositional premiere by guitarist David Fiucyznski has a title that almost manages to sum up his entire sphere of influence. “Flam! Pan-Asian Microjam for J Dilla and Olivier Messiaen" premiered at Berklee College of Music in 2012 and was inspired by a geographically and temporally enormous range of styles. Fiuczynski describes the piece ...

4

Article: Live Review

Rudresh Mahanthappa: Buffalo, NY, January 27, 2013

Read "Rudresh Mahanthappa: Buffalo, NY, January 27, 2013" reviewed by Chuck Schultz


Rudresh MahanthappaAlbright Knox Art GalleryBuffalo, NYJanuary, 27 2013It is no secret that modern jazz musicians often draw upon multiple cultures when creating their art.In saxophonist Rudresh Mahanthappa's case, he begins by meshing traditional music from India along with influences ranging from the Middle East to the East Village, from ...

6

Article: Album Review

Rudresh Mahanthappa: Gamak

Read "Gamak" reviewed by Mark Corroto


Did saxophonist John Coltrane have any idea of the consequence of dipping his toes into the music of India in the 1960s? Not only did he introduce jazz to new harmonic structures, but he marshaled the forces of jazz, perhaps, to ingurgitate world music. While the repercussions of Coltrane's spiritual journey are still being felt, what ...

6

Article: Album Review

Rudresh Mahanthappa: Gamak

Read "Gamak" reviewed by Mark F. Turner


Alto saxophonist Rudresh Mahanthappa continues to avoid stereotypes, whether pushing the envelope with his acoustic ensembles or including electronic colorations in 2011's Samdhi (ACT). With Gamak, his unique blend of progressive jazz and Indian music is still evolving. The added twist here is not only a reunion with the magnificent rhythm section of bassist Francois Moutin ...

11

Article: Live Review

Dutch Jazz & World Meeting 2012: October 5-6, 2012

Read "Dutch Jazz & World Meeting 2012: October 5-6, 2012" reviewed by John Kelman


Dutch Jazz & World Meeting Amsterdam, The NetherlandsOctober 5-6, 2012With Jazzahead! 2012--the annual European jazz trade fair--demonstrating that jazz is, if not exactly big business, then certainly bigish business, it's no surprise to find that The Netherlands' biannual Dutch Jazz & World Meeting is making the same salient point, albeit more narrowly ...

7

Article: Interview

Miles Okazaki: Cleaning the Mirror

Read "Miles Okazaki: Cleaning the Mirror" reviewed by Daniel Lehner


In the backyard of his home in Prospect Park, Brooklyn, guitarist Miles Okazaki has spent time constructing a multifaceted backyard/garden filled with overhanging plants, stone walkways and a wooden pavilion surrounding a table and benches. The slats of the pavilion's floor seem to have been crafted merely for aesthetic purposes, but there's another process at work: ...

5

Article: Live Review

Newport Jazz Festival: Newport, RI, August 4-5, 2012

Read "Newport Jazz Festival: Newport, RI, August 4-5, 2012" reviewed by R.J. DeLuke


Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 4-5, 2012Having a celebration for the 70th birthday of an amazing musician--drummer Jack DeJohnette--was an outstanding feature of this year's Newport Jazz Festival. The drummer was featured in two sets in a single day (Saturday), first with a band he has been ...

12

Article: Live Review

Newport Jazz Festival: Newport, RI, August 5, 2012

Read "Newport Jazz Festival: Newport, RI, August 5, 2012" reviewed by Timothy J. O'Keefe


Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 4-5, 2012Trumpeter Jeremy Pelt belted a splitting note that hooked and reeled in the ear of fellow hornster Avashai Cohen. As soon as Cohen heard the sound, he stopped strolling through the Newport crowd, and jerked his head toward the stage. Cupping a hand ...

10

Article: Album Review

Miguel Zenon / Laurent Coq: Rayuela

Read "Rayuela" reviewed by Mark F. Turner


Inspired by Julio Cortáza's sweeping and influential novel, Rayuela (Pantheon, 1963), pianist Laurent Coq and saxophonist Miguel Zenón transform parts of the Argentinean writer's famous work into a memorable jazz release. Written in Spanish, and published in 1963, the title literally means “Hopscotch." The text has been described as an “introspective stream-of-consciousness" and a “masterpiece of ...


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