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I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans
by Angelo Leonardi
Dopo la morte di Gil Evans e Thad Jones nella seconda metà degli anni ottanta e la progressiva uscita di scena di George Russell, il ruolo del compositore/orchestratore nel jazz ha sofferto di un gap generazionale. Meno marcato di quanto è apparso pubblicamente ma comunque consistente. Anche se negli anni novanta già operavano figure del calibro ...
Anna Webber: Simple
by Paul Naser
Simple (Skirl 2014) , New York based composer/saxophonist Anna Webber's follow up to her 2013 release “Percussive Mechanics (Pirouet 2013) finds her exploring the expressive capabilities of a trio setting. While the compositional sensibilities introduced in her first album remain, her affinity for polyrhythms being a good example, the new texture provides her the ability to ...
Mark Guiliana: Emulating The Source
by Ben Scholz
Over the past ten years, electronic music and jazz have developed a curious relationship. As programmers and DJs sought to remove the human element from their beats and loops, acoustic musicians sought to apply the tight, complex patterns of house and trance music to their traditional instruments. Drummer Mark Guiliana is at the forefront of this ...
North Sea Jazz Festival 2014
by Henning Bolte
North Sea Jazz Festival 2014 Rotterdam, Netherlands July, 11, 2014 The North Sea Jazz Festival in Rotterdam is the biggest indoor festival in Europe. It is organized by Mojo Concerts and The Security Company, both part of Live Nation Entertainment, a worldwide operating live event mega-organizer (240,000 events annually in 33 countries). ...
David Binney: Anacapa
by John Kelman
Some artists move forward in great leaps and bounds, while others evolve more slowly, over longer periods of time. David Binney is one of those rare musicians who manage to do both. While a sampling of some of his recent albums, such as Bastion of Sanity (2005), Cities and Desire (2006) and Aliso (2010l, all on ...
Joel Harrison & Anupam Shobhakar Multiplicity: Leave the Door Open
by Chris M. Slawecki
Leave the Door Open is more than evocative and expertly played music: It heralds the emerging age of global world jazz and the attendant possibilities with which it comes. Jazz and blues guitarist Joel Harrison (from Washington, DC) and sarode player Anupam Shobhakar (from Kolkata, India) first met to work on Harrison's 2010 Guggenheim ...
Worlds Apart, Whirled Together
by Chris M. Slawecki
BossaCucaNova Our Kind of Bossa Six Degrees 2014 Our Kind of Bossa celebrates fifteen fun years of BossaCucaNova, one of Brazil's most adventurous contemporary ensembles (and was also timed to coincide with Brazil hosting the 2014 soccer World Cup). These eleven tracks fuse the electro-bossa nova for which the group ...
Michael Dessen Trio: Resonating Abstractions
by Robert Bush
Michael Dessen is a slide-trombone virtuoso and computer musician of the highest order, and the music his trio crafts on Resonating Abstractions showcases his work as a composer in compelling fashion. Key to this success are the contributions from singular double-bassist Chris Tordini and the multi-rhythmic drums of Dan Weiss. Together they realize and expand the ...
Dan Weiss: Fourteen
by Hrayr Attarian
Intrepid drummer Dan Weiss' multi segment Fourteen is not a suite in the classical sense of the word. Although spread out over seven sections the vibrant and fluid composition flows seamlessly throughout the entire album without, distinct traditional movements. “Part 5" for instance takes off with trombonists' Jacob Garchik and Ben Gerstein's baroque refrains ...
Multiplicity of Musical Idioms: Guitarist Joel Harrison & Sarode Master Anupam Shobhakar Release "Leave The Door Open"
With Leave The Door Open (Whirlwind Recordings), guitarist Joel Harrison teams up with sarode player Anupam Shobhakar and the product is a wholly idiosyncratic synthesis of Indian and American musics and more particularly, the lives and interests of these two musicians. Harrison and Shobhakar met as a result of a 2010 Guggenheim Fellowship when Harrison set ...
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