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William Carn's Choices: The Unburdening
by Dan McClenaghan
The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...
Chad McCullough: Transverse
by Dan McClenaghan
Chance encounters can be fortuitous and fruitful. Trumpeter Chad McCullough, on a visit to Macedonia to convene with family, found his way into a small cafe in Skopje, the capital of Independent North Macedonia, where he encountered a local trio: pianist Gordon Spasovski, bassist Kiril Tufekcievski and drummer Viktor Filipovski. McCullough had his horn with him. ...
Matthew Shipp: The Cosmic Piano
by Dan McClenaghan
Pianist Matthew Shipp has a mathematical side: The Multiplication Table (hatOLOGY, 1998) and The Piano Equation (Tao Forms, 2020) hint at this. He has a metabolic side: DNA (Thirsty Ear, 1999) and Right Hemisphere (Rogueart, 2008). And he has a solar system side: Gravitational Systems (hatOLOGY, 2000) and New Orbit (Thirsty Ear, 2001). And finally, though ...
Denny Zeitlin: With a Song In My Heart: Exploring The Music of Richard Rodgers
by Dan McClenaghan
Musical memories from childhood have a way of sticking. For some, it might be an encounter with Beethoven from a dusty stack of old albums packed away in the parental record collection. For others, it might be the (then, 1954) modern surge of Bill Haley and the Comets shaking, rattling and rolling into the kitchen to ...
Michael Dease: City Life: Music of Gregg Hill
by Dan McClenaghan
Jazz trios featuring a horn, bass and drums get right to the core of musical expression. With, most commonly, a saxophone--see Sonny Rollins' blueprint for the horn and trio setting, the 1957 Contemporary Records album Way Out West--the music flows freely. The players do not need to chase chords around. The result is a stretching of ...
Junichiro Mataga: Landscape
by Dan McClenaghan
Japanese pianist Junichiro Mataga made the move to the United States in 2019 to study jazz piano. He completed his Master of Music in Jazz Studies at the Aaron Copland School of Music in New York. With that background and a good deal of success in competitions--the Lennon Award in jazz for songwriting in the jazz ...
Ivo Perelman & Matthew Shipp String Trio: Armageddon Flower
by Dan McClenaghan
Saxophonist Ivo Perelman's albums come at us relentlessly. He is prolific. Multiple albums per year is his norm. His approach is, more often than not, sound and fury, signifying... what? It is hard to say. Of his Armageddon Flower he says: “Listening to this music is akin to reading the Book of Revelations in the Bible." ...
Anthony Bruno: Blue Velvet
by Dan McClenaghan
Chicago-based saxophonist Anthony Bruno wraps up a terrific triptych of album releases with 2025's Blue Velvet. The journey began with the release of his album Anthony Bruno (2023), followed by Cefalu (2024). All of these are on his Anthony Bruno Music label. Bruno counts Sonny Rollins as a major influence. He says as much in the ...
Atzko Kohashi & Tony Overwater: Porgy
by Dan McClenaghan
George Gershwin's 1935 folk opera, Porgy and Bess, a quintessentially American masterpiece, has had its share of jazz interpretations. Louis Armstrong and Ella Fitzgerald visited the work in 1957 on Verve Records. Pianist Oscar Peterson dug into the Gershwin score--again, on Verve--in 1959. But the most notable rendition is the Miles Davis/Gil Evans collaboration Porgy and ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
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Arcanum at Victoria Nasjonal Jazzscene, Oslo
Phil Schaap's Jazz Room
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801 Live at 50: A Short-Term Experiment with a Long-Lasting...
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