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Perceptions Trio: The Wicked Crew
by Dan McClenaghan
If it is decided that the unadorned saxophone could use some enhancements, pedals can be plugged in to bring electricity and “effects" to the mix. Then add an electric guitar (with effects), and an acoustic drummer setting up the grooves, and you have the Perceptions Trio, with their album The Wicked Crew. Charley Rose ...
I Wish I Were In Love Again
by Dan McClenaghan
The Dance of the Infidels Word around the Whispering Palms Trailer Court was that Barb, the lady who ran the place, could have cleaned Mike Tyson's clock, in his prime, if it had ever come to that. It never did, but she came out on top of about every physical confrontation she got herself into. If ...
Nanami Haruta: The Vibe
by Dan McClenaghan
The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve ...
Andrea Longato: Thinking Heart
by Dan McClenaghan
First impressions of music--putting streaming aside--can come at you from the cover art. Guitarist Andrea Longato's debut release, Thinking Heart features a pair of rhinoceros standing side-by-side, mirror images inside a plain wash of olive green. Who would create cover art like that? And why? But the why does not matter. The image is ...
Marc Copland: Dreaming
by Dan McClenaghan
Jazz man Marc Copland is known primarily for his piano albums, solo and trio outings. He is considered by some, rightly so, as the premier jazz pianist of our day, closer to the supple touch and refined harmony of Bill Evans than the bouncing, joyous near-bombast of Bud Powell. But he is no stranger to playing ...
Marc Copland: Alter Ego Lausanne 2022
by Dan McClenaghan
Pianist Marc Copland began his jazz journey playing the alto saxophone. It was an electric alto saxophone. Plugged-in saxophones are not heard much in jazz. And that is a shame. It seems like a good idea, juicing up the horn and making new sounds. But Copland soon found this way of making music limiting. He went ...
Claire Ritter: Songs Of Lumiere
by Dan McClenaghan
Claire Ritter sounds like the most American of artists on Song of Lumiere, a solo piano outing. The North Carolina native--who studied under another quintessential American, pianist Mary Lou Williams, as well as Ran Blake--presents “Opus 30: Songs of Lumiere" a nine-tune exploration of light on the album, along with two of her previously recorded compositions, ...
Iro Haarla Ouranos Quartet, featuring Aija Puurtinen: Under the Firmament
by Dan McClenaghan
Finnish pianist Iro Haala has a gift for assembling superb jazz ensembles. Her on-record successes--including Kolibri (TUM Records, 2015) and Vespers (ECM Records, 2011)--are brought together, in part, by “considering the chosen musicians' Individualism and soloistic assurance." Duke Ellington did that. So did Charles Mingus. Forming a combination of different personalities, adept at music and possessing ...
Natsuki Tamura / Satoko Fujii / Ramon Lopez: Yama Kawa Umi
by Dan McClenaghan
In a nearly thirty-year career, Satoko Fujii (pianist, bandleader, composer, provocateur, sonic experimenter in the first degree) has shown herself to be one of the most daring and uncompromising artists in music. In a way, she is like Thelonious Monk in that--upon an initial experience with Monk's music (and Fujii's)--the uninitiated may not know quite what ...
Jessica Jones Quartet: Edible Flowers
by Dan McClenaghan
The Jessica Jones Quartet's Edible Flowers can be described as a pair of hot tenor saxophonists cranking things up and shouting out one freewheeling romp (or rant) after another. There is a structure to her tunes, but the improvisation slice of the pie is a big one. Saxophonist Jones is joined by her sax mate, Tony ...
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