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Blue Note On Blu-Ray
by Mark Werlin
Jazz music is best appreciated with “big ears" and an open mind. Just as exposure to new music casts older, familiar works in a different light, newer formats can expand a listener's perspective on the strengths and limitations of the original recordings. SACDs, Blu-Ray discs and hi-res downloads accurately represent the affective details of ...
David Gibson: Propelling The Story Forward
by Dan Bilawsky
It's late morning on Sunday, January 17, 2016--a wintry New York day that will later see snow--and much of Brooklyn seems to be in a state of hibernation or hiding. There are few signs of life on the streets, but there's no shortage of action in the basement of the former Public School 9 Annex. That's ...
University of Northern Iowa Jazz Band One 2014-15: Local Color
by Jack Bowers
In Local Color, the latest in a long series of splendid albums by the University of Northern Iowa's Jazz Band One, color is one of the primary ingredients; every number, in fact, is awash in radiant colors, from the prismatic opener, UNI alum Michael Conrad's “Gerry's Timepiece," to the chimerical closer, Curtis Fuller's dark-hued “The Egyptian." ...
Charlie Parker: The Complete Savoy and Dial Studio Recordings 1944-1948
by C. Andrew Hovan
So it is no secret that the entertainment industry is floundering these days and that record companies are doing just about anything to snatch some bucks away from the pirates and casual listeners. Perhaps this is why vinyl has become such a hot commodity. Blue Note spent the past two years reissuing classic titles on black ...
Everyone's Buzzin': The Complete Bee Hive Sessions
by David Rickert
The idea behind Jim and Susan Neumann's Bee Hive label was simple: gather together a bunch of great musicians for recording dates and let them play whatever they wanted. The sessions were led by talented musicians who may not have received the recognition they deserved in the jazz heyday of the fifties and early sixties -names ...
The Timeless All Stars: Time for The Timeless All Stars
by Jakob Baekgaard
A common strategy of promotion in jazz is to highlight the famous musicians that any given musician has played with. It seems that being a name is a sign of quality in itself and, naturally, it follows that many stars make a great record. However, there is also an old saying that “too many cooks spoil ...
Duane Eubanks Quintet: Things of That Particular Nature
by Angelo Leonardi
Il più giovane dei fratelli Eubanks è attivo professionalmente dalla seconda metà degli anni novanta ma ha inciso pochissimo a suo nome, preferendo dedicarsi al ruolo di sideman con molti e prestigiosi partner (l'orchestra di Dave Holland, Oliver Lake, Mulgrew Miller, Orrin Evans, Curtis Fuller etc.). Questo è il suo terzo disco da leader, ...
Jon Batiste: Staying Human
by Bob Kenselaar
Jon Batiste was named the bandleader of The Late Show with Stephen Colbert (related news). This interview was originally published in January 2013. Nearly everything about Jonathan Batiste is steeped in New Orleans--from the way he talks, walks, and claps his hands to the way he plays the piano, composes, and leads his Stay ...
Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
John Coltrane: Blue Train – Blue Note 1577
by Marc Davis
John Coltrane was arguably the greatest jazz musician of the 1950s and '60s. Blue Note Records was arguably the greatest jazz label of the same period. And yet they had almost nothing to do with each other. Except for one album--and it's a classic. Blue Train is one of a handful of ...
