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News: Recording

Guitarist Allen Weber Making Jazz Fusion Accessible

Guitarist Allen Weber Making Jazz Fusion Accessible

Jacksonville FL – Sine the early 1970's when Miles Davis put out his album Bitch's Brew, John McLaughlin and Mahavishnu Orchestra released their hard fusion, Chick Corea released his jazz fusion saying the word “Jazz” makes most people shiver in fright. They have been afraid of the term “Jazz”. Their eyes glaze over, and they think ...

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Article: Catching Up With

Poncho Sanchez: Mambo King

Read "Poncho Sanchez: Mambo King" reviewed by Steve Bryant


For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally ...

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Article: Interview

Marvin Sewell: Stepping Up to the Plate

Read "Marvin Sewell: Stepping Up to the Plate" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...

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Article: Album Review

The Jason Klobnak Quintet: Mountain, Move

Read "Mountain, Move" reviewed by C. Michael Bailey


"The Jazz Mainstream" is a sub-genre that has, by necessity, changed with the music's evolution. During the 1910s and '20s, New Orleans and Chicago ruled the mainstream, while the '30s and '40s belonged to big band swing. With the twilight of the big bands, combos shrunk to quartet and quintet size and bebop burned brightly in ...

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Article: Catching Up With

Alisha Pattillo: Houston by Way of Singapore

Read "Alisha Pattillo: Houston by Way of Singapore" reviewed by C. Michael Bailey


Reed multi-instrumentalist Alisha Pattillo has a ubiquitous presence in Houston Texas, appearing with her own groups, which take on a variety of formats: Alisha's Quartet, Alisha's Quartet + 1 and Alisha's Quartet - 1. She is also the reed player for the Ezra Charles Band and Steve Krase & The in Crowd. Pattillo ...

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Article: Meet the Staff

Meet Geoff Anderson

Read "Meet Geoff Anderson" reviewed by AAJ Staff


I currently live in: Littleton, CO I joined All About Jazz in: 2007 What made you decide to contribute to All About Jazz? It all started at a concert by George Brooks and his band Summit at the Boulder Theater around 2002. The band featured tabla maestro Zakir Hussain as well as ...

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Article: Extended Analysis

Robben Ford: Bringing It Back Home

Read "Robben Ford: Bringing It Back Home" reviewed by Something Else! Reviews


Robben Ford's most focused, unembellished album in like, forever, may have also been the easiest album the virtuosic blues/jazz/rock/you-name-it guitarist has made in a long spell, too. In talking about Bringing It Back Home, the guitarist/vocalist says, “The results are really pure, and the most fun I've had making an album in years." In “bringing it ...

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Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

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Article: Extended Analysis

The Complete Arista Albums Collection

Read "The Complete Arista Albums Collection" reviewed by John Kelman


When fusion first emerged in the late 1960s/early '70s with artists like trumpeter Miles Davis, pianist Chick Corea and guitarist John McLaughlin, the emphasis was on guitar and keyboard heavy lineups like Return to Forever and Mahavishnu Orchestra, with an equally strong predilection for the intensity and volume of rock and a kind of thundering funk ...

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Article: Album Review

Alisha's Quartet: Along for the Ride

Read "Along for the Ride" reviewed by C. Michael Bailey


Alisha Pattillo's tenor saxophone case sports an impressive variety of destination stickers, real and metaphorical, where the young artist has visited in her life. Anglo-Australian, Patillo was raised in Singapore and proceeded to woodshed throughout Southeast Asia before receiving a first-rate schooling at Australia's Queensland Conservatorium of Music in Brisbane, majoring in jazz saxophone and education ...


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