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The Brecker Brothers: Heavy Metal Bebop
by John Kelman
The Brecker BrothersHeavy Metal BebopArista1978 While artists more often than not look for an album title that in some way reflects the music contained within, few have come up with a name that, in three simple words, says it all as much as today's Rediscovery: The Brecker Brothers' Heavy Metal Bebop. ...
Orlando Julius and The Heliocentrics: Jayeide Afro
by Enrico Bettinello
Dimmi con chi suoni e ti dirò chi sei. Gli inglesi Heliocentrics guidati da Malcolm Catto, sotto gli auspici dei padri Sun Ra e James Brown, hanno nel DNA la sensibilità per aprirsi alle migliori collaborazioni. Lo hanno fatto con Lloyd Miller (etnomusicologo e musicista di visionaria esperienza), con Mulatu Astatke (non serve vi ...
Guitarist Allen Weber Making Jazz Fusion Accessible
Jacksonville FL – Sine the early 1970's when Miles Davis put out his album Bitch's Brew, John McLaughlin and Mahavishnu Orchestra released their hard fusion, Chick Corea released his jazz fusion saying the word “Jazz” makes most people shiver in fright. They have been afraid of the term “Jazz”. Their eyes glaze over, and they think ...
Poncho Sanchez: Mambo King
by Steve Bryant
For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally ...
Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
The Jason Klobnak Quintet: Mountain, Move
by C. Michael Bailey
"The Jazz Mainstream" is a sub-genre that has, by necessity, changed with the music's evolution. During the 1910s and '20s, New Orleans and Chicago ruled the mainstream, while the '30s and '40s belonged to big band swing. With the twilight of the big bands, combos shrunk to quartet and quintet size and bebop burned brightly in ...
Alisha Pattillo: Houston by Way of Singapore
by C. Michael Bailey
Reed multi-instrumentalist Alisha Pattillo has a ubiquitous presence in Houston Texas, appearing with her own groups, which take on a variety of formats: Alisha's Quartet, Alisha's Quartet + 1 and Alisha's Quartet - 1. She is also the reed player for the Ezra Charles Band and Steve Krase & The in Crowd. Pattillo ...
Meet Geoff Anderson
by AAJ Staff
I currently live in: Littleton, CO I joined All About Jazz in: 2007 What made you decide to contribute to All About Jazz? It all started at a concert by George Brooks and his band Summit at the Boulder Theater around 2002. The band featured tabla maestro Zakir Hussain as well as ...
Robben Ford: Bringing It Back Home
by Something Else! Reviews
Robben Ford's most focused, unembellished album in like, forever, may have also been the easiest album the virtuosic blues/jazz/rock/you-name-it guitarist has made in a long spell, too. In talking about Bringing It Back Home, the guitarist/vocalist says, “The results are really pure, and the most fun I've had making an album in years." In “bringing it ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...
