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355

Article: Album Review

David Binney: Cities and Desire

Read "Cities and Desire" reviewed by John Kelman

by John Kelman

It's no surprise that altoist David Binney could come up with a record as evocative as Cities and Desire, but it is surprising that he could come up with it in a single-day session. Like last year's Criss Cross disc Bastion of Sanity, his new album is more of a flat-out blowing session than his other ...

290

Article: Album Review

Joe Magnarelli: Hoop Dreams

Read "Hoop Dreams" reviewed by David A. Orthmann

by David A. Orthmann

Over the past dozen years trumpeter Joe Magnarelli has gradually transformed a bebop-derived vocabulary into a highly personal style. Utilizing a full-bodied tone that never turns strident, Magnarelli invites the listener to focus on the substantive dimensions of his playing, rather than drawing attention to technique, velocity and influences. Beautifully crafted melodies spring from his horn ...

461

Article: Album Review

Jimmy Greene: True Life Stories

Read "True Life Stories" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Jimmy Greene came into many advantageous and heady situations early on in his career, and he has really begun to find himself as an artist within the past few years. Now in his early thirties, Greene had made a total of three previous albums as a leader, and while they demonstrated his promise, they also hinted ...

176

Article: Album Review

Wycliffe Gordon: Cone's Coup

Read "Cone's Coup" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Of all the musicians who have come through Wynton Marsalis' various ensembles, trombonist Wycliffe Gordon is one of the few who has made the most of his experience while developing an individualistic voice. Although you can hear the history of the music from Dixie to avant garde in his approach, he's been able to successfully channel ...

241

Article: Album Review

Danny Grissett: Promise

Read "Promise" reviewed by C. Andrew Hovan

by C. Andrew Hovan

The jazz piano trio format has its share of plaudits and pitfalls. One the one hand, it has immense possibilities in terms of orchestration and rhythm. But on the other hand, it's all too easy for the music to turn into background wallpaper for the local cocktail lounge. As such, it's a risky decision to make ...

174

Article: Album Review

Steve Davis: Update

Read "Update" reviewed by C. Andrew Hovan

by C. Andrew Hovan

For many years now, Steve Davis has been the torchbearer for an instrument that is often neglected among today's younger musicians. Often associated with swing and Dixieland styles, the trombone is no less a communicative voice for creative jazz expression than any other brass or woodwind instrument. Capable of using the 'bone as the sole lead ...

184

Article: Album Review

Jim Rotondi: Iron Man

Read "Iron Man" reviewed by Elliott Simon

by Elliott Simon

The harsh sterility that can sometimes characterize post bop horn-based quintets is noticeably lacking on Iron Man. Jim Rotondi's trumpet and flugelhorn are deliciously warm, and saxman Jimmy Greene's tenor fits right into the overall mood. A member of the hard bop ensemble One for All, Rotondi eschews the piano here in favor of seasoned vibraphonist ...

282

Article: Album Review

Donny McCaslin: Give & Go

Read "Give & Go" reviewed by Tom Greenland

by Tom Greenland

Proust, Faulkner and Joyce: all wrote in protracted sentences that challenge the reader's mettle. Donny McCaslin is one such improviser, creating melodic lines that seem to stretch out and out and out, yet, through rigorous internal logic, never lose the thread of the narrative nor rankle the listener with overblown verbosity. Give and ...

209

Article: Album Review

Wycliffe Gordon: Cone's Coup

Read "Cone's Coup" reviewed by C. Michael Bailey

by C. Michael Bailey

Trombonist Wycliffe Gordon warrants that the last be stated first: he is the most soulful and technically proficient trombone player composing, performing, and educating today. Period. As Gordon closes in on twenty years as a performing jazz musician, he never ceases to challenge the listener with something new. Cone's Coup is a perfect case ...

244

Article: Album Review

Donny McCaslin: Give and Go

Read "Give and Go" reviewed by John Kelman

by John Kelman

If there's one label that's committed to defining the new mainstream, it's Criss Cross Jazz. Earlier recordings on Gerry Teekens' label weighed more heavily towards the standards repertoire, but recent releases by artists like guitarist Adam Rogers, trumpeter Alex Sipiagin and pianist Edward Simon have applied a more contemporary spin on acoustic jazz through a greater ...


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