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TJI Ellington Big Band at Musical Instrument Museum
by Patricia Myers
TJI Ellington Big Band Musical Instrument Museum Phoenix, ArizonaJanuary 14, 2014 The Ellington Big Band of the Tucson Jazz Institute delivered an ambitious repertoire that ranged from Wynton Marsalis's complex “The Tree of Freedom" to a Pat Metheny chart, with plenty of Ellingtonia in between. This high school band was a ...
Kansas City Lightning: The Rise and Times of Charlie Parker
by David A. Orthmann
Kansas City Lightning: The Rise and Times of Charlie Parker Stanley Crouch 365 ISBN:978-0-06-200559-5 Harper Collins 2013 Stanley Crouch's account of Charlie Parker's first twenty-one years isn't a litany of facts and antidotes rendered in an easily digestible form. Not unlike Parker, Crouch is brilliant, bold, ambitious, and mercurial. ...
Frank Wess: Magic 201
by Karl Ackermann
Despite a career that spanned more than half of a century, Frank Wess was not a household name. The flautist/saxophonist spent the 1950s and 60s playing with some of the best known big bands in the U.S. including those of Billy Eckstine, Count Basie and Clark Terry. During that period he was primarily recognized as a ...
Lyte Records: Dancing To Different Beats
by Ian Patterson
Since its inception in 2007, Lyte Records has earned a reputation as one of the very best labels in Ireland/Northern Ireland for independent jazz artists and creative musicians of various stripes. What started out as a very small, personal concern for Lyte Records founder David Lyttle has grown into something much bigger; international recognition came Lyte ...
Take Five With David Tughan
by AAJ Staff
Meet David Tughan: I was born and raised in Northern Ireland. My passion for jazz began at 13 when I encountered the Count Basie Orchestra while vacationing in Florida. Inspired by the swinging energy and joyful sounds of the big band, I began listening to many instrumentalists like Oscar Peterson, Stan Getz, Stephane Grappelli, and ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
Jazz Orchestra of Philadelphia: “Comin’ Home” Concert at the Kimmel Center
by Victor L. Schermer
Jazz Orchestra of Philadelphia Kimmel Center for the Performing Arts Verizon Hall Philadelphia, PA January 7, 2014 Fresh out of the starting gate, the highly touted Jazz Orchestra of Philadelphia (JOP), Terell Stafford, Artistic Director, held its first gala concert at a major venue, the Kimmel ...
This Week On Riverwalk Jazz: Lester Leaps In
This week on Riverwalk Jazz, Vernel Bagneris and Topsy Chapman paint a picture of Lester Young’s life based on his own first-person accounts and those of musicians who knew him. The Jim Cullum Jazz Band, with tenor saxophonists Brian Ogilvie and Ken Peplowski offer their homage to the President of Tenor Sax. The program is distributed ...
The Newly Minted Jazz Orchestra of Philadelphia
by Victor L. Schermer
The newly minted Jazz Orchestra of Philadelphia is an exciting, ambitious project co-founded by renowned trumpeter and Temple University educator Terell Stafford and intrepid jazz supporter Deena Adler, Odean Pope's manager. The Orchestra has already made waves in the Philly jazz community through its two performances in the Courtyard of City Hall, symbolizing its close connection ...
Saul Zaentz
The passing of Saul Zaentz yesterday at 92 brings to mind the crucial part he played in expanding Fantasy Records from a vital, colorful, but minor independent label into a pop hit-maker and a major repository of jazz recordings from the late 1940s on. He is being remembered in obituaries around the world as the producer ...
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