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Article: What is Jazz?

The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano

by Kurt Ellenberger
April 17, 2020

Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...

Article: Radio & Podcasts

Field Trip To The Vault!

by Marc Cohn
April 17, 2020

After a dose of 21st century music from Dave Allen, Pat Metheny and Aziza, we continue to celebrate the life of Sonny Rollins with tracks from his last session for Prestige in 1956. Then it's deep into the vault for two 78rpm recreations from Charlie Parker (on tenor) with Miles & Erroll Garner's trio from the ...

Article: Interview

David Sanborn: Night Music and Beyond with Hal Willner

by Ludovico Granvassu
April 16, 2020

Could you imagine tuning in to national network TV today and finding a 60-minute weekly music show focusing on forward-looking musicians driven by a desire to push the envelope rather than to “entertain?" A music show sponsored by a beer company, on top of that? It's hard to believe today. But for two seasons at the ...

Article: Under the Radar

The Archive of Contemporary Music

by Karl Ackermann
March 24, 2020

In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

Article: Radio & Podcasts

Avant-Retro or Retro-Avant? Part I

by Ludovico Granvassu
February 29, 2020

Rigid categories are not what music should be about. This week we focus on music that some may file under “retro" but is performed by musicians that are often labelled “avant," it may not sound exactly how Count Basie and the Kansas City 7 or Fess Williams and the Royal Flush Orchestra would have played, but ...

Article: Highly Opinionated

Craft Recording's "Chet" is a Rare Win for Baker

by Patrick Burnette
February 26, 2020

"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...

Article: Album Review

Migiwa Miyajima: Colorful

Read "Colorful" reviewed by Angelo Leonardi

by Angelo Leonardi
February 25, 2020

Un nuovo debutto si aggiunge al ricco movimento di rinascita orchestrale cresciuto negli Stati Uniti nell'ultimo decennio. Che la bandleader sia donna e giapponese non è una novità (la via è stata aperta da Toshiko Akiyoshi oltre 60 anni fa ed oggi è tracciata originalmente da Miho Hazama) ma va segnalata la singolarità del suo percorso ...

Article: Album Review

Carla Bley: Life Goes On

Read "Life Goes On" reviewed by Mike Jurkovic

by Mike Jurkovic
February 12, 2020

After decades of illuminating and revealing work, reveling in and breaking free of shadows, it is those same shadows that still inspire and inform Carla Bley. Which perhaps explains why the title track of Life Goes On rolls in on the 12-bar like a music obsessed, post-bop cigarette girl absorbing Count Basie at Birdland in the ...

About Count Basie

Results for pages tagged "Count Basie"...

Musician

Count Basie

Born: August 21, 1904

Bill Basie studied music with his mother as a child and played piano in early childhood. He picked up the basics of early ragtime from some of the great Harlem pianists and studied organ informally with Fats Waller. He made his professional debut as an accompanist for vaudeville acts and replaced Waller in an act called Katie Crippen and her Kids. He also worked with June Clark and Sonny Greer who was later to become Duke Ellington’s drummer. It was while traveling with the Gonzel White vaudeville show that Basie became stranded in Kansas City when the outfit suddenly broke up. He played at a silent movie house for a while and then became a member of the Walter Page Blue Devils in 1928 and ’29

Article: SoCal Jazz

Jimmy Haslip: Amperes Beyond The BASSics, Part 1

by Jim Worsley
February 5, 2020

The name Jimmy Haslip needs no introduction. So, he doesn't get one. Seriously, we had a lot of ground to cover and he had so many great stories and interesting asides to share that we are breaking the interview into two parts as it is. So, without further ado... All About Jazz: I ...