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6

Article: Album Review

lePercolateur: Pop Manouche

Read "Pop Manouche" reviewed by Dan Bilawsky


Something different and exciting is brewing on lePercolateur's Pop Manouche. This Chicago-based, Hot Club-indebted outfit finds a way to blend the sonic sensibilities of Django Reinhardt's famed band into an alt- pop/alt-folk/alt-instrumental format on their debut album, creating something unique in the process; it's as if songstress Sam Phillips, the beyond-category Pink Martini, indie folk band ...

2

Article: Album Review

Kahil El'Zabar Quartet: What It Is!

Read "What It Is!" reviewed by Troy Collins


Since the early 1980s percussionist Kahil El'Zabar has led numerous dates as a leader, with much of his work issued by Chicago's Delmark Records. Some of his most impressive efforts for the label have featured collaborations with renowned artists, including New Thing-era luminaries such as Kalaparush Maurice McIntyre, Pharoah Sanders and Archie Shepp, as well as ...

4

Article: Album Review

Ernest Dawkins: Afro Straight

Read "Afro Straight" reviewed by Jerry D'Souza


Ernest Dawkins is a multifaceted giant of the saxophone. He was part of the Association for the Advancement of Creative Musicians (AACM), a groove into which he perfectly fit, blowing fresh winds of change into the comfort zone of improvisation. The sum of his parts included commissioned works for the Black Metropolis Research Consortium and the ...

2

Article: Album Review

Ernest Dawkins: Afro Straight

Read "Afro Straight" reviewed by Mark Corroto


Afro Straight is Saturday music. That day following a work week where you take off your suit and tie or uniform, and put on that favorite sweatshirt and pair of jeans to kick back and relax in the familiar confines of your home. The familiar is your solace, and saxophonist Ernest Dawkins delivering time-honored standards is ...

2

Article: Album Review

Spero: Acoustic

Read "Acoustic" reviewed by Jerry D'Souza


Greg Spero is a man of many parts in his approach to the piano. Based in Chicago, he has been involved in the city's adventurous jazz scene, having played with trumpeter Corey Wilkes and bassist Harrison Bankhead. But he goes beyond these boundaries, finding inspiration in hip-hop and electric distortion, which is quite a way from ...

125

News: Recording

Marquis Hill - New Gospel (2011)

Marquis Hill - New Gospel (2011)

Taking in the first solo steps by a budding jazz talent is usually an excursion into a fresh new discovery. Most of time, these performances are polished and if there's originals, they can be surprisingly well developed. Maybe this shouldn't be all that surprising, because before a jazz musician makes that big step into leading a ...

59

News: Performance / Tour

Ethnic Heritage Ensemble - Annual February Black History Month Tour!

Ethnic Heritage Ensemble - Annual February Black History Month Tour!

February 2011: Ethnic Heritage Ensemble's annual tour for Black History Month Kahil El'Zabar, Corey Wilkes and Ernest Dawkins February 4, JAZZ BAKERY, 9pm, 1655 N. McCadden Place, Hollywood, CA February 7, Kuumbwa Jazz, Santa Cruz, CA 8pm, 320-2 Cedar Street February 9, The ND, Austin, TX, 501 N. I-H 35, Austin, TX February 10, 8-11PM The ...

90

News: Music Industry

Good News For LA's Jazz Community

The jazz community has, too often, endured bad news. This sad reality recently manifested in the deaths of legends James Moody, Lena Horne, Billy Taylor and Buddy Collette, among others. The loss of the music's great instrumentalists and vocalists to the ravages of time and disease is, of course, inevitable, though no less painful. Like these ...

241

Article: Album Review

Roscoe Mitchell and The Note Factory: Far Side

Read "Far Side" reviewed by Charles Walker


In his recent book about the AACM, A Power Stronger Than Itself (University of Chicago, 2007), trombonist/composer/critic George Lewis makes a serious, thoroughly researched argument for its members creating their own lineage of American “experimental music," influenced as much by pan-African musics or juke joint jam sessions as by European high art music, and yet beholden ...


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