Results for "Contemporary Jazz"

Blu Monsoon

Silent Fires

Silent Fires is a cross-genre intermixture of lyrics and acoustic-electronic fragments, all merged into written and improvised soundscapes. Their debut album #Forests is a collective exploration around the theme of spirituality in its multiple meanings. The band reunites four young emerging talents from the European improvised music scene: singer Karoline Wallace, trumpeter/soundscaper Hilde Marie Holsen, violinist Håkon Aase and pianist Alessandro Sgobbio. Silent Fires performs and improvises on stage with contemporary dancer Synne Garvik, offering a multi-art experience of improvised music and realtime choreography.

Patrick Booth

Luca Alemanno

Currently based in Los Angeles (originally from Lecce, Italy), upright/electric bassist Luca Alemanno is considered by critics “among the finest young modern jazz musicians that currently Italy has to offer.” Touring, recording and performing at festivals and clubs in Europe, Asia and North and South America, Luca has appeared with international jazz artists such as Dee Dee Bridgewater, Miguel Zenón, Mark Turner, Walter Smith III, Greg Osby, Bob Mintzer, Joe Lovano, Logan Richardson, Esperanza Spalding, Gerald Clayton, Stanley Jordan, Kenwood Dennard, Maria Schneider, Jerry Bergonzi, Mark Giuliana, Dave Koz, Jason Lindner, Enrico Pieranunzi, Fabrizio Bosso, Flavio Boltro, Rosario Giuliani, Anne Ducros, Kim Plainfield, Magnus Lindgren, Nicola Conte, and many others. An alumnus of the world-renowned Thelonious Monk Institute of Jazz Performance (2018), Luca studied and performed with jazz legends including Herbie Hancock, Wayne Shorter, Chris Potter, Danilo Perez, Terri Lyne Carrington, Jeff “Tain” Watts, Jimmy Heath, Billy Hart, Billy Childs and many more

James Weidman

Born: July 23, 1953

Pianist James Weidman is indisputably an essential addition to whatever bandstand he graces. A partial list of Weidman’s affiliations is staggering in depth & breadth: Max Roach, Woody Herman, Archie Shepp, James Moody, Greg Osby, Bobby Hutcherson, Slide Hampton, Jay Hoggard, Marvin “Smitty” Smith, Gloria Lynne, Dakota Staton, MBase Collective, Cassandra Wilson, TK Blue (co-leader of Taja), Abbey Lincoln, Ruth Naomi Floyd (Producer), Kevin Mahogany (Music Director), Joe Lovano, Marty Ehrlich and Ray Anderson. That list includes several NEA Jazz Masters, musical trailblazers, and great singers; relationships requiring both the skilled touch of an adept soloist as well as superior accompaniment expertise

Ian Michael Brown

Born: July 20, 1995

Ian Michael Brown is a pianist, keyboardist, and organist from Grove City, Pennsylvania.  Ian is a passionate jazz composer and musician who recently released his first album, “The Beauty of Not Knowing” containing ten original jazz fusion tunes taking inspiration from some of Ian’s favorite musicians.  Currently, Ian is working in Pittsburgh, PA as a pianist, music director, and organist in addition to his writing. Ian began his collegiate music studies at Lebanon Valley College located in central Pennsylvania.  He studied both Jazz and Classical under Dr. Eric Fung, Prof. Tim Wolfe, Jr., and Prof

Dan Arcamone

Born: February 27, 1977

Dan Arcamone, a celebrated guitarist, composer, and educator from Norwalk, CT, brings a uniquely expressive approach to modern jazz—always beautiful, always powerful. A long-time Artist Recording Collective member, Arcamone’s performances and recordings have earned widespread critical praise for their emotional depth, harmonic sophistication, and genre-bending innovation.

Over the years, he has shared the stage and studio with a stellar roster of musicians, including Steve Pruitt, Tony Grey, John Stowell, Panagiotis Andreou, Kenny Grohowski, Sean Nowell, and Martin Bejerano, among many others.

Alexander Sill

Born: November 21, 1992

"Alex Sill is one of those rare talented individuals that has all the elements in place... He’s embraced the Jazz idiom and his fingers dance through it effortlessly while his inspired inner ear guides him through new melodic discoveries. He has a wonderful command of the compositional tools necessary to recognize his inner musical inspirations and make them real in the world in beautiful and generous expressions while still honoring the melody. It’s nice to see a young person have such a passion for this style of music. He is one of the vital players that has the potential to raise the Jazz bar." - Steve Vai Bolstered by his family’s background, Alex Sill began playing guitar and piano at age 12 and progressed briskly, amassing both prestigious awards and acclaimed mentors over the following decade

Ludmil Krumov

Born: February 23, 1975

"Ludmil was one of my best students, and I have to say that I learned as much from him as he did form me! Brilliant, creative, soulful, intellectually probing – Ludmil has it all. The work he’s doing with integrating Bulgarian rhythmic and melodic concepts into today’s jazz, as well as the way that he’s conceptualized Bulgarian music to make it understandable to the jazz player, makes him an important figure in today’s jazz scene. I highly recommend Ludmil in any musical capacity. He’s also a great guy!”

— Brian Lynch, Grammy Award Winning Trumpeter, Professor Of Studio Music and Jazz at Frost School Of Music, University of Miami, Owner Hollistic Music Works (New York/Miami, USA

Warren Keller

Born: September 28, 1965

The child of a concert pianist and teacher, and a world-class operatic baritone, Warren began playing and singing early. His father, Howard Keller, blessed with an incredible baritone voice, studied with Carlton Gauld (http://en.wikipedia.org/wiki/Carlton_Gauld). Warren's dear mother, Roslyn, apprenticed with several luminaries: Anatole Kitain (http://en.wikipedia.org/wiki/Anatole_Kitain), Constance Keene (http://en.wikipedia.org/wiki/Constance_Keene), and her husband Abram Chasins (http://en.wikipedia.org/wiki/Abram_Chasins). As a teacher, 'Roz' was responsible for developing the talents of Joel Levine, musical director emeritus of the Oklahoma Philharmonic, and Sting’s occasional accompanist, Ken Helman. Warren has sung, played woodwinds (tenor/alto saxophone, flute), and written music on the New York City and Nashville music scenes. Warren was fortunate enough to have studied with the late, great Kenny Davern (http://en.wikipedia.org/wiki/Kenny_Davern), who began his career with Jack Teagarden, and was a multiple winner of the Downbeat Poll for soprano sax and clarinet. Three other master teachers were Gerry Orrico, fabulous alto sax and alto flute player for the Tex Benecke Orchestra and The Stardust Hotel in Las Vegas, vocal coach Marty Lawrence who taught everyone from Vicki Carr to David Coverdale, and guitarist Gary Talley of The Box Tops. Warren says that to have benefited from their level of musicianship humbles him. While playing classical clarinet and jazz sax with high school ensembles, he began his professional career with friends from New Jersey in the band 'Harper.' Though having aspirations of performing original music, they remained largely a cover band, albeit, one of the Jersey Shore's best. While the formative years from 1973-1979 were spent with this one act, Warren's singing, playing, and performing abilities were honed by the variety of styles they covered, and their extensive travels as a road band in the US and Canada. Beginning as a Chicago Transit Authority clone playing over 40 of their songs, Harper morphed into a Disco-Funk act, covering everything from Earth, Wind, and Fire, to Crown Heights Affair. It was at this time that Harper became the backup band of Rock and Roll Hall of Fame performer and Motown producer Terry Johnson (http://en.wikipedia.org/wiki/Terry_%22Buzzy%22_Johnson) and his Flamingos ("I Only Have Eyes for You"). Their days with these veteran performers were both educational and fun. After Harper left Terry, Warren stepped out from his role as saxophonist, percussionist, and occasional singer, to become lead singer/front man. Harper evolved into a Top-40 hard rock act, doing Springsteen, Bowie, Led Zeppelin, Kansas, and Boston, as well as vestiges of their horn-oriented and funky past. In their final incarnation before Warren's departure in 1979, he had introduced the band to the new wave of the Clash, Elvis Costello, and The Cars.