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5

Article: Year in Review

Chris May's Best Releases of 2012

Read "Chris May's Best Releases of 2012" reviewed by Chris May


Christian ScottaTunde AdjuahConcord RecordsIn 1959, when Whitney Balliett, the New Yorker's jazz critic, published a collection of his columns, he titled the book The Sound of Surprise. The promise of the unexpected, wrote Balliett, was jazz's most precious quality. In a year which went on to include the release of ...

4

Article: Album Review

Kurt Elling: 1619 Broadway: The Brill Building Project

Read "1619 Broadway: The Brill Building Project" reviewed by Bruce Lindsay


The Brill Building holds a special place in popular music history, not just because of the songs crafted within its walls, but also because of what it has come to represent. The ideal of the Brill Building is associated with songs that soundtrack the lives and loves of millions of people around the world. Singer Kurt ...

6

Article: Album Review

Kurt Elling: 1619 Broadway: The Brill Building Project

Read "1619 Broadway: The Brill Building Project" reviewed by C. Michael Bailey


Where female jazz vocalists are plentiful, male jazz vocals exist in vast minority. With Mark Murphy in twilight, Kurt Elling has few peers in the realm of male jazz vocals where sheer inventiveness and muscularity are concerned. Elling's facility is one so great and his musical vision so clear that, at least for the time being, ...

3

Article: Album Review

Chick Corea & Gary Burton: Chick Corea & Gary Burton: Hot House

Read "Chick Corea & Gary Burton: Hot House" reviewed by Doug Collette


The creative connection upon which vibraphonist Gary Burton ruminates to such length, in his essay for Hot House, is evident from the first instrumental exchanges with longtime collaborator, pianist Chick Corea. Burton and Corea complete each others' thoughts throughout “Can't We Be Friends," sounding as effortless and natural--arguably more so--as the seamless improvisations that earmarked their ...

29

Article: Extended Analysis

Christian Scott: aTunde Adjuah

Read "Christian Scott: aTunde Adjuah" reviewed by Chris May


In 1959, when Whitney Balliett, the New Yorker's jazz critic, published a collection of his columns, he titled the book The Sound of Surprise. The promise of the unexpected, wrote Balliett, was jazz's most precious quality. In a year which went on to include the release of trumpeter Miles Davis' Kind of Blue (Columbia), saxophonist John ...

86

Article: Album Review

Chick Corea & Gary Burton: Hot House

Read "Hot House" reviewed by John Kelman


With a partnership lasting longer than most marriages, pianist Chick Corea and vibraphonist Gary Burton know what it takes to keep things fresh. Since the release of Crystal Silence (ECM, 1973), they have toured virtually every year, but record far less frequently, with only six albums to their credit, most recently The New Crystal Silence (Concord, ...

118

Article: Album Review

Karrin Allyson: 'Round Midnight

Read "'Round Midnight" reviewed by C. Michael Bailey


Karrin Allyson is a jazz singer's jazz singer. As such she is well-studied in jazz outside of the vocal realm. This particular tool in her considerable skill set is responsible for her command of even demanding material as evidenced on her near perfect Ballads: Remembering John Coltrane (Concord Records, 2001) and Footprints (Concord Records, 2006). These ...

194

Article: Album Review

Ray Charles: Rare Genius: The Undiscovered Masters

Read "Rare Genius: The Undiscovered Masters" reviewed by C. Michael Bailey


Concord records began celebrating Ray Charles' 80th birthday with the release of Rare Genius: The Undiscovered Masters, a collection of masters recorded during the '70s, '80s, and '90s, when the singer/pianist was largely silent, having forever changed American music in the '60s. These selections, housed in the vault of Charles' RPM International Studios in Los Angeles, ...

577

Article: Album Review

Christian Scott: Yesterday You Said Tomorrow

Read "Yesterday You Said Tomorrow" reviewed by Chris May


Trumpeter Christian Scott started raising expectations in 2006, with Rewind That (Concord), and hit the spot again in 2007 and 2008. Those earlier promises of greatness are clinched by Yesterday You Said Tomorrow. Scott's fourth Concord album is a gym-ripped amalgam of edgy jazz, hip hop and rock rhythms, off-kilter ostinatos, intimate rhapsodies and full-on passions, ...

161

Article: Album Review

Nnenna Freelon: Soulcall

Read "Soulcall" reviewed by Mathew Bahl


Nnenna Freelon’s high profile self-titled recording debut on Columbia Records in 1992 prematurely vaulted the young singer onto the national jazz stage. Unfortunately, Ms. Freelon was still in the process of developing her style and a major record label like Columbia proved to be a less than ideal environment for a singer with growing pains. It ...


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