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About Community of the Spirit
Instrument: Composer / conductor
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Community of the Spirit
Titled after one of Rumi's most known poems, Community of the Spirit (COS) seeks to fulfill deep, honest expression through the original compositions, the personal interpretations of the material, and the art of improvisation. Crossing jazz and classical boundaries, combining strings and flute with vocalist and rhythm section, and setting new and original music to poetry, Community of the Spirit is an alternative choice amongst a mainstream music scene. COS has performed at venues such as the 5C Cafe, Puppets Jazz Bar, and The Shrine, and its members have won awards such as the Zurich Jazz Orchestra Composer Competition and Honorable Mention in the ASCAP Young Jazz Composer Awards. Vocalist Kate Victor, from Fairfield, CT, is a jazz vocal major at William Paterson University of New Jersey
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Mike St-Jean
Born:
Composer and drummer Mike St-Jean together with electronic artist and filmographer Math Rosen join forces in ProJect, a collaboration that presents jazz-meets-electronic atmospheres and grooves in a new light, creating an innovative sound unlike any other this country has to offer. The resulting 5 song ep Alchemist is a strong and impressive debut full of subtle rhythms, lush arrangements and infectious moments where keys, double bass & drums explore dynamic, tonal and energetic possibilities founded on digital samples & loops; this digital element is taken a step further with the addition of an interactive laptop instrumentalist, remixing live bass, keys, guitar and drum feeds back into the mix, bringing the potential of the modern jazz band to a new level. :: About the Show ProJect brings to the stage an interactive multimedia open space performance, demonstrating a collaboration of artistry and technology, pushing the boundaries of these disciplines to offer a new, exciting, sonic and visual experience that transcends culture, language and age. Featuring themes of some of life’s most fundamental experiences and emotions, the group performs on-stage immersed in the projection of interactive visualizations
About John King, composer
Instrument: Composer / conductor
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John King, composer
JOHN KING, composer, guitarist and violist, has received commissions from the Kronos Quartet; Red {an orchestra}, Ethel; the Albany Symphony/”Dogs of Desire”, Bang On A Can All-Stars; Mannheim Ballet; New York City Ballet/Diamond Project, Stuttgart Ballet, Ballets de Monte Carlo; as well as the Merce Cunningham Dance Co. His string quartets have also been performed by the Eclipse Quartet (LA) and the Mondriaan Quartet (Amsterdam). His quartet “Crucible” has premiered many of his compositions at The Stone (June 2007) and The Kitchen (April 2009). He has written 3 operas: “Herzstück/heartpiece”, based on the text of Heiner Müller, premiered at the 1999 Warsaw Autumn Festival and presented at the Kitchen NYC in 2000; “la belle captive” based on texts by Alain Robbe-Grillet, premiered at Teatro Colon/CETC in Buenos Aires in 2003, and toured to London’s ICA (Fronteras Festival) in 2004 and The Kitchen in 2005; and also his most recent opera, “Dice Thrown”, based on the Stéphane Mallarmé poem, an excerpt of which was performed by New York City Opera as part of its VOX series in May 2008. He has 2 recent CD releases of music for string quartet; “AllSteel” (Tzadik) and “Ethel” (Cantaloupe)
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Jon Gold
Born:
Originally from Palo Alto, California, pianist and composer Jon Gold has had a life long interest in Brazilian and Latin jazz. He's performed throughout northern California, including the Monterey Jazz Festival, and throughout Rio de Janeiro. Along the way he's recorded with such artists as Airto Moreira and bassist Harvie S. Jon also has a Ph.D. in Physical Chemistry from the University of California at Santa Cruz and gained noteriety as the first person to ever melt a diamond.
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Doc Pomus
Born:
The legendary Doc Pomus found success as one of the finest white blues singers of the 1940s before becoming one of the greatest songwriters in the history of American popular music. The author of many of the most popular rock & roll songs of the 1960s, he composed "Save the Last Dance for Me,'' "This Magic Moment," "Sweets for My Sweet" and dozens of others, including Elvis Presley's "Viva Las Vegas," "Little Sister," and "(Marie's the Name) His Latest Flame." Crippled by polio in his childhood, Pomus - born Jerome Solon Felder on June 27, 1925 in Brooklyn, New York - became interested in singing blues and writing songs after hearing a Big Joe Turner record as a kid
About Dylan Rynhart
Instrument: Composer / conductor
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Dylan Rynhart
Born:
Dylan Rynhart is a composer of many genres. He founded award winning jazz orchestra Fuzzy Logic Ensemble and has made two albums of his music with them. Dylan has scored music for theatre, an award winning short film and became involved in electro-acoustic composition and surround sound through his masters in music technology from Trinity college. He has also received commissions to write for contemporary classical ensembles, including sax and string quartets. Dylan is represented by both the Contemporary music centre and the Improvised music centre, and is currently working on his PhD in music composition with composer John Godfrey, in U.C.C
About Victor LeComer
Instrument: Composer / conductor
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Victor LeComer
Born:
Noisemaking and traveling have been the two constants pinging on my career path so far. Being born into a family of musicians and surrounded by interesting music and noises led me to a life of creating and shaping sounds of my own. That my mother also shared her cache of recording gear and encouraged me to explore, is the reason that my path is less traditional than a strictly performance oriented one. I practiced piano; I practiced guitar. I enjoyed most, however, taking seven reel to reel tape recorders and hand syncing sound material I had recorded, shaping the melange of sources as I went, improvising clusters of noise
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Wes Matthews
Born:
Composer Wes Matthews is steadily gaining wider recognition for his work, with music praised for “passion and subtlety, marked by an arresting sincerity” (Lisa Bielawa) and “startling introspection, masterful development, and tremendous beauty…that effectively questions rather than declares and breathes as eloquently as it speaks” (Andrew Nogal, American Composers Forum/Minnesota Public Radio). Performances of his piece Terraces (“promising…moody…delicately threaded” [Jeremy Eichler, Boston Globe]) by the Boston Modern Orchestra Project and the Minnesota Orchestra under Osmo Vänskä, in addition to performances of his Chronicle for solo alto flute at the 2008 Bang on a Can Festival at MASS MoCA and his Saxophone Quartet No
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Nemours Jean Baptiste
Born:
OFFICIAL WEBSITE OF NEMOURS JEAN-BAPTISTE (approved by the family) 53 Years of Konpa ON GOOGLE there is a FRAUDULENT Link. At the same time the fraudulent organization is using our “legitimacy” to capitalize. We are not associated with any Charitable Organization, and Nemours Jean-Baptiste, Jr. Group. FBI is investigating this matter. PEOPLE HAVE BEEN ILLEGALLY ENTERING OUR WEBSITE. WE ARE TRYING TO FIX IT CURRENTLY. PLEASE ENJOY THE WEBSITE. NOTICE TO THE PUBLIC To the general public and the members of the music industries, please be advised that it is forbidden to use the name of Nemours Jean-Baptiste, or include his name or/and picture in all motive/logo/leaflet and reproduce in whole or in part his musical work that bring lucrative endings without the formal approval of his legal representatives entrusted with: his wife, Marie Felicité C
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Coupé Cloué
Born:
Jean Gesner Henri was born in Leogane, Haiti on May 10th 1925. Jean Gesner Henri was known as Coupé Cloué, a nick name he acquired as a result of his prowess on the soccer pitch ("coupe" means "cut", and "cloue", "nail").Inspired by Cuban bolero and son, he began to perform as a guitarist in Port-au Prince in 1951. In 1957 he formed Trio Crystal which was later renamed Trio Select. They played their own version of "twoubadou" music in the clubs and parties of Port-au-Prince. Twoubadou is a style of music based on the sounds brought back to Haiti by Haitian cane cutters who had worked in Cuba. Coupé's first band, Trio Select, championed a synthesis of jazz, Haitian mérengue and folk rhythms, and helped to popularize the use of the guitar in Haiti in the 1950s and 60s.Trio Select featured Coupé himself, a second guitarist and a maracas player



