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Thelonious Monk: Live At The Jazz Workshop
by Jim Santella
In the same year that Thelonious Monk appeared on the cover of Time Magazine, he recorded several live sessions for Columbia. This 2-CD set features two and a half hours at San Francisco’s Jazz Workshop, recorded November 3rd and 4th, 1964 with his working quartet. Nearly half the reissue consists of previously unreleased material. The rest, ...
Thelonious Monk: Live At The Jazz Workshop
by Jim Santella
In the same year that Thelonious Monk appeared on the cover of Time Magazine, he recorded several live sessions for Columbia. This 2-CD set features two and a half hours at San Francisco’s Jazz Workshop, recorded November 3rd and 4th, 1964 with his working quartet. Nearly half the reissue consists of previously unreleased material. The rest, ...
The Dave Brubeck Quartet: Jazz: Red Hot And Cool
by Jim Santella
The red hot" in the title comes from this album's cover photograph. A lovely model with bright red attire worked with Dave Brubeck and Paul Desmond to provide the visual nightclub perspective. The cool," of course, comes from the quartet's music. Recorded at Basin Street in New York at three dates in 1954 and '55, The ...
Thelonious Monk: The Columbia Years (1962-1968)
by Jim Santella
The first thing you notice about Monk is the clipped phrases and unexpected turns in his compositions. With Charlie Rouse and above average rhythm sidemen, Thelonious Monk always turned heads. This three-disc compilation includes his familiar compositions as well as those not quite so familiar. They’re all fascinating and worthy of dedicated study. Disc One centers ...
Miles Davis: The Complete In A Silent Way Sessions
by Todd S. Jenkins
Another Miles classic re-excavated with grand results. In A Silent Way was an astonishing step further towards a fusion of jazz and rock for Miles Davis, and for jazz in general, when it was released in 1969. The acoustic instruments of Davis, Wayne Shorter, Dave Holland and Tony Williams were combined with John McLaughlin’s electric guitar, ...
Miles Davis: Jazz at the Plaza
by AAJ Staff
Partying at the Plaza! That’s what the Miles Davis Sextet was doing in the late summer of 1958--celebrating the success, popularity, and ubiquity of Jazz music. This set captures the exuberance and creativity of one of Jazz’s great outfits during this highpoint for improvised music. On this set, the Miles Davis Sextet ...
Miles Davis: Big Fun
by Todd S. Jenkins
One of the less-remembered, underappreciated releases in Miles’ discography, revamped for the new century and ready to open some ears. A few months after the Bitches Brew sessions that broke jazz-rock out like Phoenix from the flames, Miles Davis returned to the Columbia recording studios with the intent to push his music in yet another startling ...
Miles Davis: The Essential Miles Davis
by Jim Santella
A seminal figure in the growth and development of jazz, Miles Davis helped move the genre from bebop to smooth jazz. Sony Music arranges the phases of Davis' achievements into five major periods: 1955-1961 Miles Davis, John Coltrane, and Kind Of Blue 1957-1968 Miles Davis, Gil Evans: their collaborations 1965-1968 Miles Davis ...
Mahavishnu Orchestra: Birds Of Fire
by Alan Brooks
This review is a brief track-by-track survey of Mahavishnu Orchestra's BIRDS OF FIRE ('73). The title track, which commences the album, opens with cymbal, electric twelve string guitar, and synthesizer; then the bass and violin enter, playing the same ostinato. The machinegun speed 12(?) note guitar-violin duet that follows is the shrieking bird, and though 'blistering' ...
The Dave Brubeck Quartet: Jazz Impressions Of Japan
by Jim Santella
Dave Brubeck has always been able to effectively communicate with the average Joe." His compositions bring a spark of recognition. It's jazz, but with an underlying meaning easy enough to comprehend at first listen. Stereotypes enter the picture when particular harmonies are employed or when distinctive rhythms dance freely. His quartet could easily make Chopsticks" appeal ...


