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Article: Album Review

Ehud Asherie with Harry Allen: Upper West Side

Read "Upper West Side" reviewed by Dan Bilawsky

by Dan Bilawsky
February 9, 2012

The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin, Jerome Kern and Tadd Dameron, but when the album reaches its ...

Article: Live Review

Barry Harris at the Village Vanguard

by Bob Kenselaar
February 8, 2012

Barry HarrisVillage VanguardNew York, NYJanuary 15, 2012 Ambling in from the back of the room, Barry Harris introduced his trio to the crowd at the Village Vanguard as the musicians filed in ahead of him: Ray Drummond on bass, Leroy Williams on drums, and then he announced, with a wink, ...

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Article: Interview

Kenny Burrell: Every Note Swings

by Chris M. Slawecki
February 6, 2012

Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...

Article: Big Band Report

Bob Brookmeyer: Jack of All Trades, Master of Valves

by Jack Bowers
February 5, 2012

Bob Brookmeyer, a Renaissance man among jazz musicians who died December 15, 2011, four days before his eighty-second birthday, will be remembered as many things: composer, arranger, musician, educator, outspoken arbiter who brooked no nonsense and wasn't shy about letting others know when he believed they were not giving the music he loved the best they ...

Article: Extended Analysis

Josh Arcoleo: Beginnings

by Chris May
January 30, 2012

Josh ArcoleoBeginningsEdition Records2012 Over the decades since Coleman Hawkins and Lester Young were making their reputations, forging in their wake two very different paradigms for the tenor saxophone, the instrument's players have acquired something of the aura of the gunslingers of the American Frontier. Other instruments lend ...

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Article: Interview

Enrico Rava: To Be Free or Not To Be Free

by Ian Patterson
January 16, 2012

Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

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Article: Jazz Primer

What is Jazz? Good Question...

by Jason West
January 12, 2012

What is jazz? According to Wynton Marsalis jazz is music that swings. According to Pat Metheny jazz is not the music of Kenny G. According to Webster's jazz is characterized by propulsive syncopated rhythms, polyphonic ensemble playing, varying degrees of improvisation, and often deliberate distortions of pitch and timbre. Personally, I prefer the definition found in ...

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