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Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Denny Zeitlin: Live at Mezzrow
by Dan Bilawsky
Coming up on two decades of creative engagement and evolution, pianist Denny Zeitlin's group with bassist Buster Williams and drummer Matt Wilson remains one of the most bracing, sophisticated and creatively satisfying trios on the scene. In the best of times, a set like this, recorded live at Spike Wilner's New York piano room Mezzrow, can ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Space Is The Place: The Lives And Times Of Sun Ra
by Ian Patterson
Space Is The Place: The Lives And Times Of Sun Ra John F. Szwed 512 Pages ISBN: 978-1-4780-0841-5 Duke University Press 2020 Of all the 20th century jazz figures, perhaps only John Coltrane and Miles Davis have achieved greater cult status than Sun Ra. Unlike Coltrane, Ra lived into ...
Jeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)
by Russell Perry
Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s ...
Free Association - Vol. 2 with Michael Blake
by Ludovico Granvassu
Free Association is a series of collaborative mixtapes curated by Mondo Jazz in association with musicians and selectors of various origins. Free Association mixtapes develop as a conversation. The first selector sends a tune cherry-picked to suit, and ideally surprise, the second selector who then, in turn, returns the favor. ...
Lockjaw Meets the Hawk
To the best of my knowledge, tenor saxophonists Eddie “Lockjaw" Davis and Coleman Hawkins recorded together as a duo only once (Very Saxy was a group session with saxophonists Buddy Tate and Arnett Cobb). Davis—like Sonny Rollins, Don Byas, Lucky Thompson and others— was deeply influenced by Hawkins's gruff, boastful attack. So teaming up with his ...
Zandra Queen Of Jazz at Smock Alley Theatre
by Ian Patterson
Zandra Queen Of Jazz Smock Alley Theatre Dublin, Ireland February 2, 2020 Jazz women are like hen's teeth in general histories of jazz. It took Sally Placksin's Jazz Women 1900 To The Present: Their Words, Lives and Music (Pluto Press, 1985) to acknowledge the contributions of dozens of jazz's outstanding ...
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