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Christian Lillingers Grund: Second Reason
by AAJ Italy Staff
Quattro anni fa l'etichetta Clean Feed pubblicava First Reason, lavoro d'esordio del batterista Christian Lillinger. Il musicista e compositore berlinese presentava, in quell'occasione, un progetto di commistione tra improvvisazione libera e composizione denominato Grund, che ora ritorna, sempre su etichetta Clean Feed, con un disco che, almeno nel titolo, Second Reason, sceglie di mantenere una certa ...
Nate Wooley Sextet: (Sit In) The Throne Of Friendship
by Mark Corroto
Like today's NFL quarterbacks, trumpeters are required to be multidimensional. Modern players (in football) are required to pass, run, block and call audibles. Likewise, the jazz horn player can't just take a high glissando solo, bow, and collect a paycheck; he/she has to be able to shift between the jazz tradition, improvisation, classical music and outside ...
Mark Dresser Quintet: Nourishments
by Dan McClenaghan
There's evidence of bassist Mark Dresser's audacity and originality in his sideman work with Satoko Fujii, opening the title tune of the Japanese pianist's Trace a River (Libra Records, 2008) with a ghostly arco whine that sounds as if it drifted in out of the twilight zone, before the ever-mercurial Fujii shifts the tune into a ...
Joe McPhee: Sonic Elements
by Mark Corroto
Ernest Hemingway might have said it best: “All you have to do is write one true sentence. Write the truest sentence that you know." For musician Joe McPhee, delivering that one true sentence has been his motivation since the 1960s.An in-demand improviser, he can be heard in multiple settings including the bands of Peter ...
Harris Eisenstadt September Trio: The Destructive Element
by Glenn Astarita
Celebrated for his musicality and leadership, drummer Harris Eisenstadt is a modernist who dispels preconceived notions that a drummers' primary function is to keep time, and prop the frontline along with a bassist. With this 2013 instilment of his September Trio, he ingrains organic textures and a touchy feely loose groove modus operandi when not engaging ...
Mark Dresser Quintet: Nourishments
by Robert Bush
Mark Dresser has risen to the very upper echelon of the double-bass world in the most impressive fashion: by choosing the road less traveled. His path of virtuosity has eschewed the conventional metrics of velocity over changes in favor of the development of a highly personal improvising language that includes timbre gradients, two-handed tapping, use of ...
Eskelin - Alcorn - Formanek: Mirage
by Glenn Astarita
The Rolling Stones, Yes, and other prominent bands have incorporated the pedal steel guitar into the rock vernacular. Here, pedal steel guitarist Susan Alcorn extends this instrument beyond customary Americana or Country & Western formats and becomes the link between modern jazz champions, tenor saxophonist Ellery Eskelin and bassist Michael Formanek. She builds a bridge for ...
Harris Eisenstadt September Trio: The Destructive Element
by Mark Corroto
In a jazz setting, the traditional role for a bassist is to keep time, and in effect be the glue that holds a composition--and essentially the jazz unit--together. Maybe that is the reason is why drummer Harris Eisenstadt chose to construct his September Trio sans bassist. Aptly named, The Destructive Element follows the September Trio of ...
Trespass Trio + Joe McPhee: Human Encore
by Glenn Astarita
Sweden-based Trespass Trio aligns with American improvising legend Joe McPhee for a live set, recorded 2012 at Salao Brazil. The artists' camaraderie, gamesmanship, and intuitive synergy become quite evident from the onset. From a holistic perspective, the band's rugged approach balances a prevalent degree of experimentation with familiar modern jazz terrain. Indeed, an audience-pleaser; even by ...
Sara Serpa – Ran Blake: Aurora
by AAJ Italy Staff
Secondo album (dopo Camera Obscura, datato 2010) del duo composto dalla trentaquattrenne cantante di Lisbona e dal settantottenne pianista del Massachusetts, Aurora raccoglie i riflessi di una doppia seduta (dal vivo e in studio) tenutasi nella capitale portoghese nel maggio 2012. Il clima che lo contraddistingue è lieve, ora più colloquiale, ora più scarno, quasi scabro, ...
