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Album

Caged No More

Label: CIMP Records
Released: 1999

192

Article: Album Review

Khan Jamal: Percussion & Strings

Read "Percussion & Strings" reviewed by Derek Taylor


Given the width and breadth of creative improvised music, it's sometimes easy for a musician to get lost in the shuffle, especially if their chosen instrument of expression is one of the more common in the music. Saxophonists in particular are occasional victims of the forced bouts of anonymity that may accompany such periods of congestion. ...

175

Article: Album Review

Thomas Borgmann: Thomas Borgmann Trio with Peter Brotzmann: Stalker Songs

Read "Thomas Borgmann Trio with Peter Brotzmann: Stalker Songs" reviewed by Derek Taylor


Thomas Borgmann's trio with Wilbur Morris and Denis Charles, though short-lived, was one of the top creative improvising jazz units of the last several years. After Charles death the group reformed into its current incarnation with Reggie Nicholson filling the drum chair. Recordings made before the earlier trio's demise are documents to treasure and this recording ...

112

Article: Album Review

Rob Brown-Lou Grassi Quartet: Scratching the Surface

Read "Scratching the Surface" reviewed by Derek Taylor


The combination of Rob Brown and Assif Tsahar is quickly becoming my pairing of choice for reliably conceived improvisational brilliance. On the several recordings the two have graced together to date they demonstrate a degree of rapport that borders on the supernatural. Reference their unbelievable conversations on William Parker's “Posieum Pendasem" on the FMP label for ...

118

Article: Album Review

Frode Gjerstad Quartet: Through the Woods

Read "Through the Woods" reviewed by Derek Taylor


If asked to name the countries that have historically been the hotbeds of European free improvisation it's unlikely that most jazz enthusiasts would include Norway among their lists. England, Germany and France, yes, but Norway? Granted, players such as Jan Garbarek, Terje Rypdal and Arlid Andersen hail from Norway, but the careers of these veteran improvisers ...

189

Article: Album Review

Joe McPhee/Dominic Duval/Jay Rosen: Trio X: The Watermelon Suite

Read "The Watermelon Suite" reviewed by Derek Taylor


This magnificent session is perhaps most unusual for McPhee’s decision to stick to only one the reeds in his bulging bag of instruments throughout its entire duration. Though he limits solely to soprano his creative muse isn’t compromised in the least thanks both to his own inventive genius and that of his able associates. “Points” is ...

144

Article: Album Review

Mark Whitecage: Research On the Edge

Read "Research On the Edge" reviewed by Derek Taylor


Mark Whitecage is inching ever closer to the status of most recorded CIMP session-man. With a total of eleven dates for the label under his belt the only other musicians who usurp him in terms of prolificacy for the label are bassist Dominic Duval and percussionist Jay Rosen (who also turns up on this date!). Musically ...

141

Article: Album Review

Steve Swell Trio: Atmospheels

Read "Atmospheels" reviewed by Derek Taylor


Don’t let the stripped down instrumentation of this trio fool you. These three players make music of such breadth and scope that it often sounds as if there were twice their number. Their playing is both visceral and vigorous and they communicate an urgent energy barely controlled by the confines of the tunes. Grassi is a ...

100

Article: Album Review

Ahmed Abdullah: Actual Proof

Read "Actual Proof" reviewed by Derek Taylor


The lasting influence of Sun Ra is infinite and its always a pleasure to hear testimony from the relatively small number of his regular sidemen who are now leading their own groups. The joy is particularly palatable in the case of Abdullah whose bright brassy trumpet powered the Arkestra brass-section on their cosmic flights of fancy ...

98

Article: Album Review

Ahmed Abdullah: Actual Proof

Read "Actual Proof" reviewed by Derek Taylor


The lasting influence of Sun Ra is infinite and its always a pleasure to hear testimony from the relatively small number of his regular sidemen who are now leading their own groups. The joy is particularly palatable in the case of Abdullah whose bright brassy trumpet powered the Arkestra brass-section on their cosmic flights of fancy ...


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