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Chu Berry
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Had Chu Berry's life not been cut short when he died at age 33 as the result of an automobile accident, who knows what might have been. But what he did achieve was enough. Considering the brevity of his life, and that his recording career spans a mere decade, it is remarkable that his name continues to loom large in the annals of jazz. Leon "Chu" Berry was born in Wheeling on Sept. 13, 1908, into a relatively well-to-do family that included a very musical half sister who played piano in a jazz trio that rehearsed in the Berry home, Chu's love of music and the saxophone was born. Inspired by Coleman Hawkins (whom he heard on tour) to take up the saxophone, he played the alto instrument while at Lincoln High School in Wheeling and at West Virginia State College in Charleston
Chris May's Best Albums Of 2023
by Chris May
Another great year for recorded jazz. Fourteen of 2023's most special albums are presented here. Eight are new recordings and six are reissues or previously unreleased archive items. Joint Number One Best New Albums Of 2023 Irreversible Entanglements Protect Your Light Impulse! There are two contendors for the slam-dunk ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
Basie All Stars: Live At Fabrik Vol. 1
by Chris May
Such are the glories of his band's recorded legacy from the 1930s through the 1950s, that the mere mention of Count Basie's name will trigger a Pavlovian response from his fan base. Like no other, the Count Basie Orchestra epitomised big-band swing at its most sublime; reefer fuelled, riff based, loose and louche Kansas City jazz ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time
by Arthur R George
Fifty years ago this past year, Coleman Hawkins, considered the father of tenor saxophone in jazz, passed away. Thelonious Monk was pacing back and forth in the hallway outside Hawkins' hospital room when the saxophonist succumbed at age 64 on the morning of May 19, 1969, from pneumonia and other complications. Monk was holding a short ...
Salvo Losappio: Long Story Short
by Jack Bowers
Although Long Story Short is an entirely appropriate title for Italian-born tenor saxophonist Salvo Losappio's debut CD as leader, as its playing time is a lean LP-like thirty-eight minutes, Rush Job might have been an even better one. Losappio's name and face adorn the front cover of the album, which names his four sidemen but does ...
They Died Before 40--New Jazz Film To Make History
The Music Kept Them Alive… And Killed Them! Which jazz musician’s funeral attracted 10,000 mourners and an 80-car funeral procession? Which African American musician was forced to play at the other end of the recording studio with white musicians? The website for the film has 40 Hot Points and more. More than two dozen gifted jazz ...
Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Eivind Opsvik e il Questionario di Proust
by Paolo Peviani
All About Jazz: Il tratto principale della mia musica. Eivind Opsivik: Atmosfere forti. AAJ: La qualità che desidero nei musicisti che suonano con me. E.O.: Che siano al 100% al servizio della musica. AAJ: Come musicista, il momento in cui sono stato più felice. ...
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