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John Hollenbeck's September Songs
by Jeff Dayton-Johnson
John Hollenbeck's productivity would be astonishing in its own right, but the uniformly high quality of this high output places the drummer among the top tier of jazz (and not only jazz) musicians. Hollenbeck's recordings, compositions and performances defy certain expectations. He can be as seriously intellectual as a stereotypically stuffy classical musician, but his music ...
Jazz on a Summer's Day 2013
by Phillip Woolever
Jazz on a Summer's DayKrefeld, GermanyJuly 13, 2013 The setting was historic, on the grounds of a 12th century castle. The program tilted toward tomorrow, with an ear for the future. That picturesque, present day progression made the 29th Jazz on a Summer's Day a timeless musical present for devoted fans in ...
Jazzklub Krefeld Hits A High Note For Summer
Jazzklub Krefeld, one of the Rhineland’s musical treasures, heads full steam into warm summer months with momentum from a successful spring season that upheld the company’s strong reputation around Western Germany’s vibrant jazz scene. July 13th brings the 29th edition of Jazzklub’s “Jazz on a Summer’s Day” spectacular, at the historic, medieval Burg Linn castle outside ...
Burlington Discover Jazz Festival: Burlington, VT, May 31-June 9, 2013
by Doug Collette
Burlington Discover Jazz Festival Burlington, VT May 31-June 9, 2013Swooping into Burlington off interstate 89 through a series of uninterrupted green lights seems a good metaphor for the transitional year of Burlington, Vermont's Discover Jazz Festival.It's a tribute to departed director Brian Mital, as well as incoming director Linda Little, ...
NYC Winter Jazzfest, Day 2: January 7, 2012
by Daniel Lehner
Day 1 | Day 22012 NYC Winter Jazzfest, Day 2New York, NYJanuary 7, 2012 Gregoire Maret The harmonica, like the accordion and other free reed aerophones, doesn't come with as much built-in room for expression as other wind instruments, which is what makes Gregoire Maret's playing so unique. For ...
Ari Hoenig: Lines of Oppression
by John Kelman
When Bill Evans began building trios that represented a collaboration of equals rather than soloist accompanied by rhythm section, it's unlikely the late pianist could have envisioned the way Jean-Michel Pilc, bassist François Moutin and drummer Ari Hoenig wowed fans at a 2011 Ottawa International Jazz Festival performance. Bringing new meaning to the phrase “egalitarian," each ...
Curtis Macdonald: Community Immunity
by Dan Bilawsky
"The Jazz Community" is a phrase that shows up in more than a few album reviews, but what does it really mean? Like-minded jazz musicians certainly gravitate toward one another, but they don't live in some massive, hippie-like commune where people play John Coltrane and Charlie Parker licks ad infinitum and bow down in front of ...
Becca Stevens Band: Weightless
by C. Michael Bailey
There is an artistic point where Jacqui Sutton (Billie & Dolly (Toy Blue Typewriter Productions, 2010)), Gretchen Parlato (The Lost and Found (ObliqSound, 2011)) and Norah Jones (Feels Like Home (Blue Note Records, 2004)) intersect, giving rise to Becca Stevens, whose creative arc gains traction in a direction different from, but informed by, those singers. By ...
Take Five With Mike Rood
by AAJ Staff
Meet Mike Rood:Born into a musical family, Mike has always been immersed in music. He has been playing guitar since he was seven, and his early influences include Stevie Ray Vaughan and Jimi Hendrix. Mike also studied classical piano for 13 years, performing in dozens of recitals and competitions. He won the Nicolas Flagello ...
Yaron Herman: Follow The White Rabbit
by Bruce Lindsay
Follow The White Rabbit is Israeli pianist Yaron Herman's fifth album--his first on the ACT label and his first with the rhythm section of bassist Chris Tordini and drummer Tommy Crane. Continuing the format of his past trio albums A Time For Everything (Laborie Records, 2007) and Muse (Laborie Records, 2009), Herman mixes original tunes and ...
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