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News: Event

11 Day Benefit Event Scheduled to Support 55 Bar, Running September 23rd - October 2

11 Day Benefit Event Scheduled to Support 55 Bar, Running September 23rd - October 2

Adored by patrons and musicians alike, 55 Bar is utterly unique in the New York City music scene; an unfussy, inexpensive, dive bar where audiences can watch some of the world’s best jazz and blues musicians from ten feet away. It’s a club where brilliant newcomers can launch their careers and seasoned professionals can workshop new ...

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Article: Multiple Reviews

Mike Clark: The Drummer Gets (And Gives) Some!

Read "Mike Clark: The Drummer Gets (And Gives) Some!" reviewed by Doug Collette


Drummer Mike Clark must've already had some estimable pedigree in the first place to be invited to join Herbie Hancock's seminal funk/fusion ensemble Headhunters back in the Seventies. But the man at the kit only built upon his existing prestige during his tenure with that group and then went on to expand upon his rep with ...

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Article: Album Review

Nate Smith: Kinfolk 2: See The Birds

Read "Kinfolk 2: See The Birds" reviewed by Mark Corroto


If there were brick & mortar establishments called record stores today, one could imagine the challenge Nate Smith's Kinfolk projects would pose for an employee trying to file his latest releases. Those familiar with the drummer's work in the bands of Chris Potter, Dave Holland, or Alex Sipiagin might place the discs in the jazz section, ...

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Article: Radio & Podcasts

Size Matters: (Mostly New) Jazz for Big Bands and Orchestras, Part 4

Read "Size Matters: (Mostly New) Jazz for Big Bands and Orchestras, Part 4" reviewed by Ludovico Granvassu


In the early days of jazz, “Orchestra" was used to identify bands larger than a septet. Nowadays, jazz orchestras and big bands are much larger than that, like those we feature in our final installment of our mini-series dedicated to (mostly new and upcoming) releases by big bands and orchestras which can be found at the ...

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Article: Interview

Zakir Hussain: Making Music, Part 2-2

Read "Zakir Hussain: Making Music, Part 2-2" reviewed by Ian Patterson


Part 1 | Part 2 It seemed inevitable that Zakir Hussain would collaborate with jazz musicians as the '70s unfolded. Jazz had been sidling up to Indian classical music gradually since the early '60s. In 1962, Gary Peacock and Bud Shank played on Ravi Shankar's album Improvisations (World Pacific), although this was ...

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Article: Interview

Dave Holland: More Than Just Notes

Read "Dave Holland: More Than Just Notes" reviewed by Ian Patterson


The creative juices, if not the hunger, desert many artists as they advance in years. Repetition and mediocrity--a blunting of the sword--can creep in, while past glories are often left to provide the kindling for flames that never quite catch. Such charges could never be levelled at English bassist Dave Holland, who turns seventy-five in October. ...

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Article: Album Review

Dave Holland: Another Land

Read "Another Land" reviewed by Ian Patterson


Though bass legend Dave Holland's entire career has been one marked by adventure, it has been a while since he recorded back-to-back albums with the same working group. Recordings such as Hands (Dare2, 2010), with flamenco guitarist Pepe Habichuela, the duo outing The Art of Conversation (Impulse! 2014) with Kenny Barron, Blue Maqams (ECM, 2017) with ...

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Article: Interview

Zakir Hussain: Making Music, Part 1-2

Read "Zakir Hussain: Making Music, Part 1-2" reviewed by Ian Patterson


"Everybody wants to play with Zakir. He's amazing..." The words were spoken by Herbie Hancock, one of many musicians who paid tribute to the great Indian tabla player and composer Zakir Hussain on the occasion of his Lifetime Achievement Award from the San Francisco Jazz Centre in 2017. In a short film made for ...

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Article: Album Review

Slowly Rolling Camera: Where the Streets Lead

Read "Where the Streets Lead" reviewed by Chris May


You might imagine jazz musicians are well suited to run record companies, for risk taking and creativity are fundamental to both activities. Mostly, however, musician-led labels have unhappy histories. Either the musician is not from the top drawer and their A&R skills suffer accordingly; or they lack the administrative skills to run a business enterprise effectively. ...


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