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Peter Erskine: Up Front, In Time, and On Call, Part 1
by Jim Worsley
Part 1 | Part 2Peter Erskine is affable, engaging, and humorous. He, of course, is also one of the finest drummers of his generation. He has left his mark on the jazz and fusion world for nearly fifty years now. An icon, whose name is mentioned with the greats of all time, Erskine continues ...
February Birthdays and Snooky @100
by Marc Cohn
It's the monthly jazz birthdays edition of Gift and Messages, direct from our turntables and CD players in mid-city Baton Rouge to you! We salute the late trumpeter Snooky Young on his 100th birthday with one of the rare recordings under his own name, the out-of-print Horn of Plenty. Great listening, along with tenor birthday madness ...
Chick Webb & Benny Goodman (1933 - 1938)
by Russell Perry
In the mid-1930s, jazz orchestras led by drummer Chick Webb and clarinetist Benny Goodman rose to prominence with the arrangements of Edgar Sampson and Fletcher Henderson. After launching the careers of Ella Fitzgerald and Louis Jordan, Webb succumbed to spinal tuberculosis in 1939, at age 34. Goodman launched the careers of Gene Krupa, Teddy Wilson, Lionel ...
Drummers As Leaders
by Jerome Wilson
Drummers are not necessarily the first musicians you think of as bandleaders but there is a long tradition of drummer-leaders in jazz from Chick Webb and Gene Krupa to Art Blakey and Paul Motian. Here are two current, lesser-known drummers who keep that lineage going in different formats. Enrique Haneine The Mind's Mural ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
Blue Highways and Sweet Music: The Territory Bands, Part II
by Karl Ackermann
Part 1 | Part 2 Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Rick Hirsch's Big Ol' Band: Pocono Git-Down
by Richard J Salvucci
Years ago, in liner notes forgotten somewhere, Phil Woods said, “There are good players everywhere. You don't have to go to New York to find them," or words to that effect. I was reminded of that observation listening to Rick Hirsch's . It is composed of players from Central Pennsylvania, with Hirsch himself in State College. ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Stan Levey: Jazz Heavyweight
by Chuck Koton
Stan Levey: Jazz Heavyweight Frank R. Hayde 224Pages ISBN: #13978-1-59580-086-2 Santa Monica Press 2016 When one thinks of Bebop, the names Bird and Dizzy along with Monk, Max and Bud immediately pop up. In the mind's eye, one can see those classic Herman Leonard jazz photos of these Cats ...
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