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Meet "Mr. Saturday Night" Joe France
by Tessa Souter and Andrea Wolper
Dubbed “Mr. Saturday Night" by jazz bassist Peter Washington, because for years he was unfailingly at the Village Vanguard every Saturday night, 87-year-old Super Fan, Joe France, has seen--and hung out with--them all: Charlie Parker, John Coltrane, Ella Fitzgerald, Thelonious Monk, Miles Davis, Jackie McLean. Nowadays, you'll mostly run into him--on Saturday nights, of course!--at Smoke ...
The Giant Legacy of Rudy Van Gelder
by Greg Simmons
Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...
Ron Carter: Always at the Center of the Action
by Victor L. Schermer
Great jazz bassists can always be identified by the fact that you really listen to them! A good jazz bassist keeps good time and gets the chords right, but a great bassist, going as far back as Jimmy Blanton, Scott LaFaro, Charlie Haden, or Jimmy Garrison, catches your ear because you're surprised and moved by what ...
Take Five With Brandon Goodwin of B's Bees
by AAJ Staff
About Brandon Goodwin: Montreal group B's Bees is a hard swinging jazz outfit known for writing compelling original music and playing high energy interpretations of the music of past masters such as The Jazz Messengers, Thelonious Monk and Charlie Haden. Comprised of five core members, they wowed the audience at their debut concert at ...
Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond
by K. Shackelford
International drummer Damión Reid has crafted a style that is inimitable without sacrificing the ardor of modern jazz and its traditional stylistic approaches to drumming. Listening to Reid is like a history lesson on the drum--he can play everything with artful dexterity from Be-Bop to Hip Hop. Adrian Kirchler, owner of AK drums, was ...
Greg Osby: Saxophone “Griot”
by Victor L. Schermer
The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...
Charlie Rouse: Bossa Nova Bacchanal – 1962
by Marc Davis
What a happy record! And what a delightful change from the usual 1960s Blue Note formula. You know the drill. In the 1960s, Blue Note was the go-to label for two kinds of jazz: hard bop and soul-jazz. But Blue Note was never the reigning bossa nova label. When the Brazilian phenomenon swept the ...
Thelonious Monk "Complete Riverside Recordings" Coming from Concord on May 19
CONCORD MUSIC GROUP TO REISSUE GRAMMY AWARD-WINNING THELONIOUS MONK COLLECTION: THE COMPLETE RIVERSIDE RECORDINGS Reconfigured box set features monk’s entire output for Riverside label, extensive liner notes by compilation producer, the late Orrin Keepnews LOS ANGELES, CA: Concord Music Group is pleased to announce the reissue of its GRAMMY Award-winning Thelonious Monk anthology, The Complete Riverside ...
Watkins and Rouse's Jazz Modes
Yesterday I posted about the Jazz Lab, a little-known, short-lived East Coast jazz quintet co-led by Gigi Gryce and Donald Byrd in 1957. Today, continuing with my series on jazz supergroups of the mid-1950s, I'm turning to Les Jazz Modes, a little known quintet co-led by French hornist Julius Watkins and tenor saxophonist Charlie Rouse that ...
Top Ten Jazz Songs of My Childhood
by Richard J Salvucci
For some reason, listening to the Great American Songbook was a big part of my Italian immigrant-boomer generation's experience. We learned the values, the rules, the moves and the customs of the folks we wanted to be like. And added a couple of distinctive touches of our own. We liked big bands too. But it wasn't ...
