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Results for "Charlie Parker"
Dave Liebman: On the Corner Live!
by Victor L. Schermer
When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it ...
Peter Evans / Sam Pluta: Two Live Sets
by Mark Corroto
The most extraordinary music ever presented has elicited the same time-honored “what the f@#k was that?" response. From Elvis (both Presley and Costello) to Grandmaster Flash, Igor Stravinsky, and Charlie Parker, the “shock of the new'" (to borrow a phrase from art critic Robert Hughes) adjusts listeners' criteria for judging a composition or performance, and often ...
Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets
by Mark Corroto
The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
Ten Artists: February 2019
by C. Michael Bailey
Cecilia Bartoli Antonio Vivaldi Decca 2018 2019 marks the thirtieth anniversary of mezzo-soprano Cecilia Bartoli recording for Decca, her label for the duration of her career. Bartoli's first recording was Rossini's Il Barbiere di Siviglia (London/Decca, 1989) opposite famous baritone Leo Nucci. My own introduction to Bartoli was through her Mozart ...
Dave Liebman: Archives and Improvisations - The Past and the Now of a Life in Jazz
by Victor L. Schermer
Prolific saxophonist, composer, band leader, and educator Dave Liebman is a living legend, an NEA Jazz Master who has been making waves since the 1970s and never stops growing, learning, and discovering. His autobiography, What It Is (Scarecrow Press, 2012, with Lewis Porter) is an honest probing of his more than half century experience as a ...
Frank Morgan & George Cables: Montreal Memories
by Jack Bowers
Alto saxophonist Frank Morgan and pianist George Cables, two seasoned pros at the top of their game, joined forces to map this superb concert performance at the 1989 Montreal Jazz Festival. Morgan--unchained at last from his debilitating heroin addiction and four years removed from prison--is a wellspring of creativity and passion, while Cables, eleven years Morgan's ...
Tom Kennedy: In A New York Minute
by Jim Worsley
Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...
Kansas City and the Territory Bands (1927 - 1940)
by Russell Perry
Outside of the Chicago—New York nexus, jazz thrived during the late 1920's and 1930's in Missouri, Oklahoma and Texas, with its center in Kansas City. Under the careful control of Boss Pendergast, Kansas City was a wide open town with a thriving night club music scene, nurturing musicians like Joe Turner, Mary Lou Williams, Count Basie, ...
