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Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
David Bond at Chris’ Jazz Cafe
by Victor L. Schermer
David Bond Quartet Chris' Jazz Café Philadelphia, PA June 26, 2019 Alto saxophonist David Bond is new to Philadelphia and probably unfamiliar to jazz fans here. I went to hear him because I am always interested in hearing someone new, and two of the personnel listed were revered ...
Paul Bley: When Will The Blues Leave
by John Ephland
Ornette Coleman recorded “When Will The Blues Leave" in early 1958, released the next year on Something Else!!!! (Contemporary). Paul Bley played Coleman's blues four years later on The Floater Syndrome (Savoy Records), a trio recording with bassist Steve Swallow and drummer Pete La Roca. Both versions--Coleman's in a quintet with trumpeter Don Cherry, bassist Don ...
Bebop Pioneers in the 1950s (1949 - 1960)
by Russell Perry
Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician's strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers--Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and ...
Bret Primack on Jazz Video and the Ira Gitler Documentary
by S.G Provizer
Since the 1990's, Bret Primack has probably been the most prolific video chronicler of jazz in the world. He has just released a documentary about jazz writer-record producer Ira Gitler called Ira Gitler Lives. Since Gitler was a big fan of Charlie Parker, I presume this is a play on a famous bit of graffiti—"Bird Lives." ...
Miles and Friends - The “Birth” of the Cool (1947 - 1950)
by Russell Perry
The torrid pace of bebop improvisations reached a point in the late 1940s that prompted a musical reconsideration and Miles Davis was there at the conception. Davis had been with the Charlie Parker Quintet since 1945, when he began to woodshed with composer/arrangers John Lewis, Gerry Mulligan and Gil Evans, all of whom would become major ...
Mark Alban Lotz: The Wroclaw Sessions
by Mark Corroto
Mark Alban Lotz is bringing sexy back into jazz with his trio recording The Wroclaw Sessions. The German born / Dutch resident draws from not only jazz but folk and classical influences for these nine tracks, four of which are originals. It's sexy because the music conveys a certain charisma or musical pheromone fashioned to affect ...
Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Ella Fitzgerald: Just One Of Those Things
by Ian Patterson
Just One Of Those Things Ella Fitzgerald Eagle Rock90 minutes 2019 In the public mind, Ella Fitzgerald was unarguably one of the great jazz figures of the twentieth century. She mightn't be fetishized the way Billie Holiday, Miles Davis, John Coltrane or Chet Baker have been--there wasn't quite ...
