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Chet Baker: Chet
by Karl Ackermann
In the early 1950s, the rural Oklahoman Chet Baker established prominent connections in the jazz world; gigs with Charlie Parker and Stan Getz led to his first recordings. The trappings of both musicians' circles were dusted with heroin and Baker's career breaks coincided with his introduction to the disease that would stifle his musical development and ...
Adam Rudolph: Ragmala and Prototypical Music
by Franz A. Matzner
Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...
Blue Note 50ths and a Tad More
by Marc Cohn
Happy New Year! First show of the month and 2020—it's time for Blue Note albums that are celebrating their 50th anniversary, being from January 1970! Lou Donaldson, Grant Green, Lonnie Smith, Andrew Hill and the Thad Jones/Mel Lewis Orchestra! Bassist and saxophonist Mark Zaleski will be in Baton Rouge at Chorum Hall on Wednesday, January 8th, ...
Steve Lehman Trio + Craig Taborn: The People I Love
by John Sharpe
On The People I Love, alto saxophonist Steve Lehman, Janus-like looks back, while simultaneously looking forward. He recruits celebrated pianist Craig Taborn to bolster his longstanding trio of bassist Matt Brewer and drummer Damion Reid. It was once said that Taborn was fated to play better on other people's records than his own. Happily that is ...
Sisonke Xonti: A Leap of Faith
by Seton Hawkins
Known for years as an outstanding saxophonist and first-call collaborator in a variety of top South African Jazz ensembles, in recent years Sisonke Xonti has rightly earned acclaimed for his own talents as a bandleader and a composer. Notably, Xonti's 2017 debut release Iyonde not only provided a stellar showcase for his superlative horn ...
2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Yakir Arbib: My Name Is Yakir
by Don Phipps
Clever and entertaining, My Name is Yakir offers a diverse potpourri of jazz standards and original compositions performed by pianist Yakir Arbib. The music contrasts standards from the Dixieland, swing, bebop and hard bop eras with five originals that mix classical idioms with loose jazz structures. Arbib certainly has talent and his technical dexterity permits him ...
Falcarragh Winter Jazz Festival 2019
by Ian Patterson
Falcarragh Winter Jazz Festival Various venues Falcarragh, Ireland December 6-7, 2019 Two days, three venues and six gigs. Small but beautiful. After the success of its inaugural edition in 2018, Falcarragh Winter Jazz Festival returned to the west-Donegal town with almost exactly the same format, and bar one eleventh hour ...
Michael Zilber: East West / Music for Big Bands
by Jack Bowers
On East West, his first-ever big-band enterprise, Canadian-born saxophonist Michael Zilber leads world-class ensembles in New York City and San Francisco, which speaks volumes about his artistry and gravitas. Zilber not only plays saxophone on both bands, he composed eight of the fourteen numbers on this handsome two-CD set and arranged all of them.
