Home » Search Center » Results: Charlie Parker
Results for "Charlie Parker"
John Riley: Inspiring Innovation
by Ben Scholz
Foremost an innovator, John Riley has always been a “drummer's drummer" in the world of straight-ahead jazz. With nearly a hundred recordings, a dozen videos, and five books under his belt, Riley is a veritable font of knowledge in the bebop realm. In this article, we take a look back at some of his musical endeavors ...
Roberto Magris Septet: Morgan Rewind: A Tribute To Lee Morgan Vol. 2
by Dan McClenaghan
Italian-born pianist Roberto Magris gets deep into the music of his influences. He recorded two volumes of the music written by or associated with the somewhat overlooked bop pianist Elmo Hope, and in 2011 he released Morgan Rewind: A Tribute to Lee Morgan, Vol. 1 (JMood Records) , an exuberant nod to the hard bop trumpeter ...
Michael Lake/Gerry Pagano: Roads Less Traveled
by Dan Bilawsky
The title of this album isn't just talk; it basically defines Michael Lake's entire career in music. Lake has made his way in the music world by playing the alto trombone--an instrument that many would simply look at as a novelty horn. Many years ago, his teacher at Arizona State University--a graduate assistant named Kevin Hedges--turned ...
Practice, Do You? Part 3-3
by Dom Minasi
Continued from Part 2 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I ...
Charlie Haden, Legendary Jazz Bassist, Dies at 76
Charlie Haden, the pioneering jazz bassist who played with the likes of Ornette Coleman and Keith Jarrett before enjoying a decades-long solo career, died Friday at age 76 of a prolonged illness, according to his label, ECM. Praised by critic Martin Williams for his “almost lyric directness,” Haden achieved fame in the late ’50s as a ...
Chubby Jackson: New York, 1949
In 1944, bebop was virtually ignored by the country's jazz fans—except those in New York, where the new style had first been recorded earlier that year. Viewed initially as unintelligible gibberish and way too fast for dancing, the new style was too complicated. Few musicians could play it authentically, since too few bebop recordings were on ...
The Amazing Bud Powell, Volumes 1 and 2 – Blue Note 1503 and 1504
by Marc Davis
In the pantheon of bebop's Founding Fathers, there are three giants. Everyone knows Charlie Parker and Dizzy Gillespie. Everyone forgets Bud Powell. Like Bird and Diz, Powell could spit out notes faster than anyone before or since. Also like Bird and Diz, Powell sometimes fell in love with his own speed, so some recordings ...
Jazz Liège Festival 2014
by Jean-Pierre Goffin
Jazz Liège Festival Brussels, Belgium May 8-10, 2014 The International Jazz Festival in Liège was created twenty-four years ago. The city was known for decades as the Belgian capital of jazz, with musicians such as Bobby Jaspar ( who played with Miles Davis,J.J. Johnson, Donald Byrd and many others), René ...
Guido Michelone - 60 Jazzisti
by Angelo Leonardi
60 Jazzisti Guido Michelone pag.303 ISBN: 978-88-488-1574-1 Edizioni Lampi di Stampa 2014 Euro 21,00. “Questi 60 non sono i jazzisti che più amo, né quelli che conosco meglio -scrive l'autore nell'introduzione- ma quelli di cui negli ultimi anni mi si è chiesto di scrivere, su differenti riviste, ...
Jazz Quanta June
by C. Michael Bailey
Francy Boland Playing With the Trio Schema 2013 Duke Ellington's rare trio recordings are always a treat. Money Jungle (United Artist, 1963) a trio session Ellington made with bassist Charles Mingus and drummer Max Roach is readily memorable. The big band leader Ellington was clearly able to hold ...
