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John O'Gallagher: The Honeycomb
by Mark Corroto
What if jazz was rock-and-roll? Not the corporate-halftime show-American Idol rock, but the dangerous music your parents (maybe grandparents) were afraid of. Remember, there was a time when jazz was threatening. Charlie Parker and Dizzy Gillespie startled listeners with their revolutionary 'bebop,' before Ornette Coleman and Albert Ayler caused fist fights and mini-riots. Jazz has since ...
Rudresh Mahanthappa: Bird Calls
by Dave Wayne
On Bird Calls, alto saxophonist and composer Rudresh Mahanthappa takes on the music of Charlie Parker in a personal and profound way, accompanied by his whip-smart, uber-hip and youthful backing band. Let's face it, folks; this is the sort of thing a jazz fan's daydreams are made of. The result doesn't disappoint; Bird Calls is a ...
John O'Gallagher: The Honeycomb
by Dan McClenaghan
Bring up the trio format, one with an alto saxophone, bass and drums, and Ornette Coleman, alto man extraordinaire, might come to mind, especially those fantastic Blue Note Records sets, The Ornette Coleman Trio at the Golden Circle Stockholm, Volume One and Two (1965). In fact, alto saxophonist John O'Gallagher, on The Honeycomb, has a lyricism ...
Art Pepper: Neon Art, Volume 1
by C. Michael Bailey
This is not a new release. It is a sensible one. In 2012, Omnivore Records released Art Pepper: Neon Art, Volume 1 in colored vinyl, taking advantage of the current baby boomer infatuation with the inferior medium of our childhood. In the case of Pepper, the medium is not the message. This is music that demands ...
Jimmy Smith: Midnight Special – Blue Note 4078
by Marc Davis
The history of jazz is filled with great pairs: Duke Ellington and Billy Strayhorn--Dizzy Gillespie and Charlie Parker--Dave Brubeck and Paul Desmond--Wayne Shorter and Joe Zawinul. Add one more pair to the list: Jimmy Smith and Stanley Turrentine. Smith was the ground-breaking organist, steeped in the blues, who introduced the Hammond B-3 ...
Rudresh Mahanthappa: Dancing on the Edges of Time
by Victor L. Schermer
Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, ...
Joe Harriott Quintet: Abstract/Southern Horizons/Free Form
by Duncan Heining
Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...
Jazz in the New Millennium: Live and Well by Rick Mitchell
by C. Michael Bailey
Jazz in the New Millennium: Live and Well Rick Mitchell 339 Pages ASIN: #B00N2331GC Dharma Moon 2014 Much of jazz analysis and reportage is history; the exposition and re-exposition of old forms and older artists. Precious few books written about jazz today have contemporary artists or movements as ...
Clarence Penn & Penn Station: Monk: The Lost Files
by C. Michael Bailey
A well-established creative paradigm exists to justify Clarence Penn & Penn Station's recording Monk: The Lost Files. “Classical" music is often considered that music, composed long ago, that has stood the test of time, remaining viable to the public in recordings and live performance. These composers of this music tend to be Europeans from the last ...
Rudresh Mahanthappa: Bird Calls
by Dan Bilawsky
Charlie Parker has been deified, his methods have been codified, and his recordings have been analyzed ad infinitum. Six decades have passed since he left this realm, yet he remains the lodestar for a significant portion of the jazz community, from the aspiring to the elite, and his influence hasn't waned one bit. Given all of ...
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