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Charlie Byrd: Byrd Song
by David Rickert
Byrd Song is a peculiar album, even from a man whose career was always hard to pigeonhole. Although not as well-known or perhaps as highly regarded as Wes Mongomery or Kenny Burrell, Byrd was an accomplished guitarist who fused classical technique and jazz licks on everything from standards to Brazilian folk music. On Byrd Song (recorded ...
Charlie Byrd: Bossa Nova Pelos Passaros
by David Rickert
Few Americans approached bossa nova with the commitment and understanding of Charlie Byrd. His classically influenced, unamplified style was perfectly suited to the Brazilian music that quickly became his forte after the success of Jazz Samba, after which he never looked back. Bossa Nova Pelos Passaros is his finest hour, a record’s worth of bossa nova ...
Blues Sonata
By Charlie Byrd
Label: Fantasy Jazz
Released: 2001
Track listing: The Blues Sonata: Polonaise Pour Pietro, Ballad In B Minor, Scherzo For An Old Shoe. Alexander's Ragtime Band, Jordu, That Old Devil Called Love, Zing! Went the Strings Of My Heart.
Charlie Byrd: Blues Sonata
by David Rickert
Mention the word “Bird" and Charlie Parker immediately comes to mind with Donald Byrd soon to follow. Charlie Byrd, on the other hand, is not an artist that immediately comes to mind. Byrd first made his mark with Stan Getz on Jazz Samba, a record which unfairly obscures his work as a solo artist. He has ...
The Best of the Concord Years
By Charlie Byrd
Label: Concord Music Group
Released: 2000
Track listing: Disc One: 1. It Don
Charlie Byrd: The Best of the Concord Years
by David Adler
The late Charlie Byrd was one of those jazz figures whose choice of instrument alone made him stand out. His nylon-string guitar was ideally suited to the bossa nova idiom, in which he made his most famous historical contributions. This two-disc package captures Byrd a bit later in his career — specifically, the period from 1979 ...
Charlie Byrd: Byrd's Word
by Derek Taylor
A common critique leveled at Charlie Byrd throughout his career suggested that he was incapable of ‘letting his hair down’ so to speak. His guitar playing was of such consistently high caliber that many critics took his impeccable technique as a sign of pompousness and egotism. The reality is that Byrd was equally adept in a ...
