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Charles Mingus: Changes One
One of my favorite Charles Mingus albums is Changes One, recorded for Atlantic Records at the tail end of December 1974. There something about the recording that exceeds even Mingus's high composing standards and exotic vision. The album is moody, brooding and reminds me of New York in the mid-1970s more than any other. Yesterday, when ...
Pasquale Mirra: Moderatamente Solo
by Neri Pollastri
Ultima uscita in ordine di tempo dell'etichetta Fonterossa di Silvia Bolognesi (che ce ne parlava nell'intervista che le abbiamo fatto recentemente ), Moderatamente Solo di Pasquale Mirra è un rarissimo esempio di album per solo vibrafono. Registrato dal vivo nel 2016 al Fonterossa Day #2 di Pisa, è dedicato dal suo autore ai propri genitori. Sebbene ...
Gregory Lewis: Organ Monk, The Breathe Suite
by Jerome Wilson
Gregory Lewis aka Organ Monk, is an organ player with a uniquely grandiose and dramatic style that owes as much to a prog rock icon like Keith Emerson as to a Jimmy Smith. That was clear enough on his previous recording, American Standard where he played a selection of familiar pop standards. It's even more evident ...
PRISM Quartet with Joe Lovano at the Painted Bride
by Victor L. Schermer
PRISM Quartet with Joe Lovano Painted Bride Art Center Heritage/Evolution Philadelphia, PA June 3, 2017 An optical prism breaks down white light into the distinct colors of the spectrum. For the PRISM Quartet, this analogy applies in two ways 1) the expression of the music in the four registers of ...
Like A Jazz Machine 2017
by Ian Patterson
Like A Jazz Machine Centre Culturel Regionel Opderschmelz Dudelange, Luxembourg May 25-28, 2017 Size, as Like A Jazz Machine knows, isn't everything. The audience in the Centre Culturel Regionel Opderschmelz amounts to just four seated rows downstairs, with a small standing section to the rear, and ten rows ...
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
Charles Mingus 95th Birthday Celebration
by Peter Jurew
Mingus Big BandJazz StandardNew York, NY April 24, 2017 Saturday, April 22, was an unusually good day. It started, blessedly, when the president did not tweet out a series of early morning fabrications/accusations to befuddle the free world. And it could only get better from there: It was Earth Day! Scientists ...
Bray Jazz Festival 2017
by Ian Patterson
Bray Jazz Festival Various venues Bray, Ireland May 28-30, 2017 There are just so many cultural events going on in Ireland over the May Bank Holiday weekend that it can be a bit of a head-spin deciding what to opt for. Roots music gatherings, literature festivals, classical recitals, a chamber ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Meet James Busby
by Tessa Souter and Andrea Wolper
Our youngest Super Fan to date, and our first from the west coast, James Busby was weaned on the popular music of the '70s and '80s. His first jazz concert--Donald Brown at a local club in Knoxville, Tennesse for a $3 cover--was life-changing. He may not have discovered jazz until he was in college, but ever ...
