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Mike Reed: Flesh & Bone
by Giuseppe Segala
Pur essendo basata su un'esperienza drammatica del 2009, che vide il quartetto di Mike Reed a problematico e pericoloso contatto con una manifestazione neonazista nella Repubblica Ceca, la musica contenuta in questo Flesh & Bone mantiene le caratteristiche di esuberanza ottimista ed estroversione che distinguono la produzione del batterista, in primo luogo quella pluriennale di People, ...
January 2018: Charles McPherson, Duke Ellington, Charlie Parker
by Patrick Burnette
January opens with an interview with alto saxophonist, composer, and philosopher Charles McPherson and closes with Pat hosting a one-man show on Duke Ellington's suites. Episode 132 features a hundred-minute talk with alto saxophonist Charles McPherson, who discusses a formative encounter with Charlie Parker, his time playing in Charles Mingus' band, the lessons he ...
Quin Kirchner: The Other Side of Time
by Kevin Press
Albums that clock in at anything near 90 minutes are not automatically major works. On the other hand, this new effort from Quin Kirchner and Co. is hard to describe in any other terms. Kirchner's six-piece band has delivered a wide-ranging, powerful disc. Things get rolling with the appropriately titled “Ritual." From the start, ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
Quin Kirchner: The Other Side of Time
by Gareth Thompson
Quin Kirchner was forging a musical career in New Orleans at the time of Hurricane Katrina. Despite his house being ruined, he held off from leaving until the last moment due to gig commitments. With a support system of family and friends back in Chicago, Kirchner returned home where his percussive skills became key in the ...
Yacine Boularès: Coltrane by way of Descartes
by Ludovico Granvassu
Saxophonist Yacine Boularès took the road less travelled to discover and develop his passion for jazz. After graduating in philosophy from the prestigious Sorbonne University in Paris, he felt the urge to put into practice the notions of aesthetics he had researched for his dissertation. Following his studies at Paris' Conservatoire National Supérieur de Musique and ...
Greg Cordez: Last Things Last
by Roger Farbey
"Chekov's Gun" opens this recording with a laid-back yet electrifying atmosphere hinting vaguely of a Soft Machine influence. “Cherry V Des Moines" has a rock-based feel but the overlaid horn ensemble sections imbue it with a jazz-inflected impetus as does Michael Blake's sinewy tenor solo. “Figlock" is dominated by Steve Cardenas's chiming electric guitar work and ...
Noah Kaplan
by Vincenzo Roggero
1. Joseph Haydn, Symphony 44, 25, 49 Iona Brown & Academy of St. Martin in the Fields (haenssler CLASSIC, 2000). Ci ho messo del tempo a rendermi conto di che tipo tosto fosse Haydn. Un sacco di Bach e presagi di Beethoven in questo disco. 2. Charles Mingus, Pithecanthropus Erectus (Atlantic, 1956). ...
Mark Masters: Blue Skylight
by Angelo Leonardi
Mark Masters è uno dei massimi esponenti contemporanei dell'orchestrazione mainstream. In trent'anni d'attività professionale ha inciso una decina di dischi, in formazioni comprendenti strumentisti di primo piano come Oliver Lake, Lee Konitz, Billy Harper, Peter Erskine o Steve Kuhn. Come altri suoi lavori anche questo progetto è un concept album dedicato a protagonisti della ...
Mario Pavone: Vertical
by Don Phipps
The moody, complex, witty, playful and abstract music found on Vertical can only result from the combined genius of six talented musicians. And Mario Pavone has assembled just such an ensemble for this release. Pedigree aside, this music explores gentle improvisation and abstractions, a formless within form approach that echoes the work of Anthony Braxton, Dave ...
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