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Results for "Charles Mingus"
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Charles Mingus: Montreux '75
On July 20, 1975, Charles Mingus was in Montreux, Switzerland, to perform at the Montreux Jazz Festival. He was on tour to promote Changes One and Changes Two, a pair of albums recorded for Atlantic in December 1974. They are among the bassist's finest albums of the decade and were his first studio recordings in the ...
Eric Revis: Sing Me Some Cry
by Giuseppe Segala
La vicenda artistica di Eric Revis è esemplare per la propria coerenza: ci ricorda ancora una volta il ruolo avuto da molti contrabbassisti nel jazz contemporaneo, che sulle direttrici di metodo e prassi tracciate da Charles Mingus sanno coniugare una forte e sensibile preparazione sullo strumento alla capacità di organizzare stimolanti formazioni e di comporre in ...
Paula Shocron: Paths to a New Sound
by Jakob Baekgaard
When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...
William Parker: Embracing The Unknown
by Luke Seabright
His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...
Mike Reed: Flesh & Bone
by Giuseppe Segala
Pur essendo basata su un'esperienza drammatica del 2009, che vide il quartetto di Mike Reed a problematico e pericoloso contatto con una manifestazione neonazista nella Repubblica Ceca, la musica contenuta in questo Flesh & Bone mantiene le caratteristiche di esuberanza ottimista ed estroversione che distinguono la produzione del batterista, in primo luogo quella pluriennale di People, ...
January 2018: Charles McPherson, Duke Ellington, Charlie Parker
by Patrick Burnette
January opens with an interview with alto saxophonist, composer, and philosopher Charles McPherson and closes with Pat hosting a one-man show on Duke Ellington's suites. Episode 132 features a hundred-minute talk with alto saxophonist Charles McPherson, who discusses a formative encounter with Charlie Parker, his time playing in Charles Mingus' band, the lessons he ...
Quin Kirchner: The Other Side of Time
by Kevin Press
Albums that clock in at anything near 90 minutes are not automatically major works. On the other hand, this new effort from Quin Kirchner and Co. is hard to describe in any other terms. Kirchner's six-piece band has delivered a wide-ranging, powerful disc. Things get rolling with the appropriately titled “Ritual." From the start, ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
Quin Kirchner: The Other Side of Time
by Gareth Thompson
Quin Kirchner was forging a musical career in New Orleans at the time of Hurricane Katrina. Despite his house being ruined, he held off from leaving until the last moment due to gig commitments. With a support system of family and friends back in Chicago, Kirchner returned home where his percussive skills became key in the ...
