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Carlos Henriquez: Dizzy Con Clave
by Dan Bilawsky
In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...
Bailey’s Bundle – Seven Women (Plus Three) 2018 – Part IX
by C. Michael Bailey
Yilian Cañizares and Omar Sosa Aguas Ota Records 2018 Pianist/composer Omar Sosa has established himself as a pioneer at the edge of Cubano-Caribbean music. Sosa teams with violinist/vocalist Yilian Cañizares for a breezy and sensual stroll through 11 original, for lack of a better term, world music compositions that are as ...
Dafnis Prieto Big Band: Back to the Sunset
by Jack Bowers
The alliance of Latin music and American jazz ripened on these shores more than seventy years ago, nourished by pioneers such as Mario Bauza, Chano Pozo, Dizzy Gillespie, Machito, Tito Puente and others. It has been carried forward and enhanced since then by a succession of remarkable innovators including in recent years the Cuban-born drummer Dafnis ...
Curtis Brothers Quartet: Syzygy
by Paul Rauch
Jazz music is constantly in a state of flux. It feeds off of new ideas and innovation to keep the music vital, and growing. The mantle is passed from generation to generation, eschewing the infective glare of pop notoriety to maintain the artistic presence that moves the music forward, now seventeen years into a new century. ...
Sabu Martinez: Palo Congo – 1957
by Marc Davis
1957 was a banner year for hard bop and Blue Note. In one year, the label released 40 albums, including classics from John Coltrane, Sonny Rollins, Horace Silver, Bud Powell, Lou Donaldson, Hank Mobley, Johnny Griffin and eight by Jimmy Smith alone. In the midst of all that hard bop, Blue Note released two percussion-based albums ...
As Dizzy's World Turns
by Michael Bourne
Master raconteur, award winning jazz broadcaster and Downbeat contributor, Michael Bourne recounts a series of remarkable stories about Dizzy Gillespie based on experiences that stretch over a couple of decades. Embodying Bobop I happened to be at home in St. Louis when Dizzy Gillespie was playing at this new jazz joint near ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Jazz From Around The World: Latin America and the Caribbean
by Hrayr Attarian
The focus of the second installment of Jazz from Around the World is Latin America and the Caribbean. Because of both proximity to the US and the shared African heritage, particularly in the Caribbean, jazz was seamlessly and naturally adopted in this part of the world. Of course Latin jazz with its many guises is a ...
Rudresh Mahanthappa: Bird Calls
by Dave Wayne
On Bird Calls, alto saxophonist and composer Rudresh Mahanthappa takes on the music of Charlie Parker in a personal and profound way, accompanied by his whip-smart, uber-hip and youthful backing band. Let's face it, folks; this is the sort of thing a jazz fan's daydreams are made of. The result doesn't disappoint; Bird Calls is a ...
The Caribbean Tinge: Live from Dizzy's Club Coca-Cola
by Steve Bryant
Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke ...
