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African-American Music: A retrospective at Jazz at Lincoln Center
by Nick Catalano
One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.
Over the Rainbow
Label: Sunnyside Records
Released: 2017
Track listing: Django; Drume Negrita; Evidence;
Gracias a la Vida; Hacia Donde; Los
Ejes
De Mi Carreta; Mantreria; Marcel;
Monk's Dream; Over the Rainbow.
Munir Hossn: Nuove suggestioni tra Africa e Brasile
by Angelo Leonardi
Nato nel 1981 in Brasile da padre libanese e madre brasiliana, Munir Hossn è uno dei più creativi musicisti e compositori sudamericani della sua generazione. Dotato di un talento precoce, all'età di 10 anni suonava professionalmente (principalmente batteria e chitarra) in differenti gruppi di Salvador, Bahia. Impegnato principalmente nella sintesi tra elementi tradizionali africani e brasiliani, ...
Fano Jazz By The Sea 2017
by Libero Farnè
Fano Jazz by the Sea Fano Varie sedi 22-30.7.2017 Quest'anno c'era qualcosa di nuovo sotto il sole, anzi sul mare di Fano. Una prima disorientante sfasatura, di natura visiva, rispetto al passato era costituita dall'assenza, sui programmi di sala e sul palco dei concerti, della storica immagine che riproduceva una ...
Tim Ries With Randy Brecker at Drom
by Peter Jurew
Tim Ries with Randy BreckerDromNew York, NYJune 21, 2017 Saxophonist Tim Ries has made a name for himself internationally as a jazz educator and composer, leader and sideman. A master of tenor and soprano saxophones, since 2007, he's also known for playing in the Rolling Stones's horn section on several world ...
Generation Next: Four Voices From Seattle
by Paul Rauch
Each generation, an insidious notion arises, and is passed about the musical world that jazz music, the only uniquely American art form is somehow experiencing a slow, but certain death. Inevitably, this notion is set aside, and somehow projected forward in time, as a new generation of artists rise to the occasion, not only facilitating the ...
Chano Dominguez: Over the Rainbow
by Paul Rauch
Jazz music is an interpretive art form, it is in fact, the quintessential American art form. This is an undeniable attribute to the genre, which over the past century has impacted musical culture internationally, sharing it's compositional and improvisational commonalities and absorbing the unique musical identities of neighboring musical movements. Certainly this is the ...
Tula's Jazz Club: A Seattle Tradition in the Making
by Paul Rauch
Life in the Pacific Northwest is hauntingly similar to jazz music itself, from that which is inward, deep in the recesses of our collective soul, to the outward expressionism as a ray of sunlight, an exaltation of joy, harmony expressed in the deep, deep blue of sentient life, and of our enlightened sky. High notes expressed ...
Marina Albero: The Sweetness of the Edge
by Paul Rauch
Marina Albero burst onto the Seattle jazz scene in April of 2014, playing a brilliant set on vibraphone in a duo with flamenco jazz master, pianist Chano Dominguez. That evening we were not only introduced to her music, but to our new neighbor, as she was moving her family to Seattle from Barcelona. Since that time ...
Magos Herrera: Rebirth in New York
by Gabriel Medina Arenas
New York City became the new jazz mecca during the 1920s, when many top jazz musicians from Chicago and the rest of the U.S. migrated to the Big Apple. Jazz musicians from around the globe moved there every decade, knowing New York has some of the top jazz venues in the world, a dozen jazz festivals, ...
