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Eric Revis: Sing Me Some Cry
by Mark Corroto
Only a bassist like Eric Revis with a background in the origins of jazz (that is, New Orleans), hardcore, funk, and post-bop can pull off such a big project as Sing Me Some Cry. Not big as in impenetrable, but circus tent big--assimilating all his experiences. From Betty Carter and Lionel Hampton to his long-standing tenure ...
Jaimie Branch: o voli o muori!
by Andrea Murgia
Un esordio a trentaquattro anni suonati non capita tutti i giorni di vederlo ma se i risultati sono questi beh, possiamo anche sorvolare sull'età anagrafica della protagonista. Coadiuvata da tre dei musicisti chicagoani più talentuosi, Chad Taylor, Tomeka Reid e Jason Ajemian, Jaimie 'Breezy' Branch ha pubblicato uno dei dischi jazz più freschi e interessanti di ...
Jaimie Branch: Fly Or Die
by John Sharpe
Since breezing in from Chicago, trumpeter Jaimie Branch has quickly become a major presence on the NYC scene, thanks not only to her instrumental chops but also her ceaseless organizing. However that influence has yet to translate into a commensurate discography. Fly Or Die (the name variously of the album, the band, the suite and a ...
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
Jaimie Branch: Fly or Die
by Vincenzo Roggero
Un debutto discografico all'età di trentaquattro anni è evento raro in un mercato dove abbondano baby fenomeni, giovani promesse, fuoriclasse del futuro e dischi del secolo. Evento raro e prezioso perché questo Fly or Die è disco di sconvolgente bellezza. La protagonista è Jaimie Branch, trombettista e compositrice sconosciuta ai più, frequentazioni importanti nella scena avant ...
Jaimie Branch: Fly Or Die
by Karl Ackermann
Improvisational trumpeter and electronics artist Jaimie Branch, a Chicago native, began playing trumpet at the age of nine. Doing double-duty, she has also worked around her home town as a sound engineer for Tim Daisy and Ken Vandermark. A relative newcomer, Branch moved to New York to complete a Master's degree in in Jazz Performance and ...
Chicago / London Underground: A Night Walking Through Mirrors
by Karl Ackermann
As an artist and a surveyor of a broader universe, Rob Mazurek focuses on the journey rather than on planting a flag in undiscovered territories. Whether on his multi-instrumental solo work Mother Ode (Corbett vs Dempsey, 2014) or in the large ensemble formation of his most recent Exploding Star Orchestra project, Galactic Parables: Volume 1 (Cuneiform, ...
Jazztopad 2016, Part 1
by Henning Bolte
National Forum of Music Jazztopad 2016 Wroclaw November 22-24, 2016 Wroclaw was this year's European Capital of Culture, sharing that title with Donostia/San Sebastian, a landmark of importance. But it isn't the only distinctive 'C' connected with the annual Jazztopad festival organized by the National Forum of Music, the representative center ...
Jeff Parker: Slight Freedom
by Dave Wayne
One is tempted to think of Jeff Parker as the first guitar anti-hero. He's a subtle player, first and foremost, not given to showy pyrotechnics and rapid-fire flights of plectral fancy. His chameleonic, almost self-effacing, presence on recordings by Tortoise, Joey DeFrancesco, Isotope 217, Fred Anderson, the Brian Blade Fellowship, Peter Erskine, Nicole Mitchell, Yo La ...
Mara Rosenbloom Trio: Prairie Burn
by Dan Bilawsky
When thought outpaces action in music, the results are often staid and forgettable. Conversely, when thinking is suppressed in favor of ceaseless activity, the end results are often turbid, shambolic, and largely unlistenable. It's the power struggle between the two, along with the personalities controlling that struggle, that help jazz to expand, evolve, explore, and excite. ...
