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Joe Farnsworth: Friends In High Places
by R.J. DeLuke
Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...
The Mike Melito / Dino Losito Quartet: You're It!
by David A. Orthmann
Moderation is a virtue which pervades You're It!, a date co-led by drummer Mike Melito and pianist Dino Losito. It is a pleasure--and a reliefto hear a bop-influenced recording in which jazzmen (three in their middle years and one octogenarian) transcend influences and forge their own standards of performance. The record is impressive in part because ...
Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists
by Victor L. Schermer
[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970sBlue Note, Prestige, Riverside, Impulse!, Strata-East and AtlanticJoe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Jazzagenturen: The Stockholm Corona Sessions Volume One
by Jim Worsley
The Swedish jazz collective Jazzagenturen, founded by Pontus de Wolfe, reached deep into its collective soul and stood up to the downsides of the Covid-19 coronavirus early on. This large ensemble entered a studio on April 2nd. Twelve hours later they emerged having recorded fifty songs. The Stockholm Corona Sessions are being released in five volumes, ...
20 Seattle Jazz Musicians You Should Know: Jay Thomas
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Drummers as Bandleaders: An Alternative Top Ten Albums
by Chris May
Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...





