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Article: Album Review

Patrick Battstone: The Last Taxi, In Transit

Read "The Last Taxi, In Transit" reviewed by Geannine Reid


Patrick Battstone is a pianist and collaborator. What is meant by collaborator? Good Question. Battstone is as equally skilled at writing, creating and playing as he is bringing together equally creative and likeminded collaborators into one project. Battstone's projects are a democracy of performances, where each player has a vital and role in the overall sound. ...

Article: Album Review

Antonio Sanchez - WDR Big Band conducted by Vince Mendoza: Channels of Energy

Read "Channels of Energy" reviewed by Angelo Leonardi


La relazione tra la Cam Records di Ermanno Basso e il noto batterista messicano si fa sempre più eclettica e appassionante. Nel dicembre 2016, poche settimane dopo l'incisione del disco in solo di Antonio Sanchez Bad Hombre (pubblicato qualche mese fa), s'è concretizzato nel Rundfunk Studio di Colonia un sogno lungamente accarezzato dal produttore e dal ...

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Article: Album Review

Matteo Bortone Trio: ClarOscuro

Read "ClarOscuro" reviewed by Vincenzo Roggero


Abbandonati (per il momento?) gli amati Travelers--il quartetto italo-francese che lo ha portato agli onori della cronaca come leader con due ottimi dischi--Matteo Bortone si cimenta nella sempre difficile impresa del piano trio, affrontato nella triplice veste di leader, contrabbassista e compositore (i rimandi storici sono da far tremare i polsi!). Anche in questo lavoro il ...

6

Article: Album Review

Barre Phillips: End To End

Read "End To End" reviewed by Mark Sullivan


Legendary double bassist and improviser Barre Phillips writes what is billed as the final chapter in his storied history of solo bass recordings on the aptly titled End To End. He recorded what is generally regarded as the first solo double bass album in 1968 with Journal Violone (Opus One)--an unplanned event, as he intended the ...

5

Article: Album Review

Alister Spence / Satoko Fujii: Intelsat

Read "Intelsat" reviewed by Karl Ackermann


Three quarters of the way through Satoko Fujii's year-long celebration of her sixtieth birthday, she once again moves in an unpredictable direction, this time in the company keyboardist Alister Spence. Having met in Australia in 2007, the two went on to record with the Raymond MacDonald International Big Band the following year. Intelsat marks the second ...

6

Article: Album Review

Kyoko Kitamura's Tidepool Fauna: Protean Labyrinth

Read "Protean Labyrinth" reviewed by John Sharpe


For her second leadership outing following Armadillo In Sunset Park (self produced, 2012), vocalist Kyoko Kitamura assembles a group which she calls Tidepool Fauna. And giving the group an identity seems entirely appropriate as what they create is very much an ensemble music. That's made all the easier by having such accomplished talents as saxophonist Ingrid ...

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Article: Album Review

Gabrielle Ducomble: Across The Bridge

Read "Across The Bridge" reviewed by Roger Farbey


Belgian-born and London-based chanteuse Gabrielle Ducomble is gifted with an irresistible voice. Obvious comparisons can be made (and usually are) to the great Edit Piaf or at a pinch, a jazzier Mireille Mathieu, but this does Ducomble a disservice since she exudes her own unique vocal charm. Across The Bridge follows in the footsteps of Ducomble's ...

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Article: Album Review

David Cross: Crossing the Tracks

Read "Crossing the Tracks" reviewed by Glenn Astarita


Violinist extraordinaire David Cross made a significant impression during his early 1970s tenure with King Crimson, performing on three seminal albums: Larks' Tongues in Aspic (Island, 1973), Starless and Bible Black (Island, 1974) and Red (Island, 1974). Other than some gaps, Cross has been active via his David Cross Band that has issued several albums, in ...

3

Article: Album Review

Daniel Bennett Group: We Are the Orchestra

Read "We Are the Orchestra" reviewed by Mark Sullivan


Composer/woodwind player Daniel Bennett and his group make music that cheerfully disregards genre conventions, especially purist notions of what “jazz" can be. There are generous doses of instrumental rock: previous album Sinking Houseboat Confusion (Manhattan Daylight Media Group, 2016) even made a point of adding surf rock to the mix. Most of their albums have been ...

1

Article: Album Review

Shawn Maxwell's New Tomorrow: Music in My Mind

Read "Music in My Mind" reviewed by Dan McClenaghan


After a series of well-received mainstream recordings, Chicago-based alto saxophonist Shawn Maxwell moved into a “taking more chances" mode with Shawn Maxwell's New Tomorrow (OA2 Records, 2016). Much of the sound there fell into the exploratory, even avant-garde area. He delves further into that territory with Music In My Mind. With albums titled Originals ...


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