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Jakob Bro: Bay of Rainbows
by John Kelman
Few ECM artists, barring perhaps longtime label stalwart, pianist Keith Jarrett, have been afforded the opportunity of releasing two albums within the same calendar year. That Manfred Eicher has chosen to follow up Jakob Bro's impressive quartet date, Returnings, less than seven months later with Bay of Rainbows clearly speaks to the label head/primary producer's appreciation ...
Ralph Peterson's GenNext Big Band: I Remember Bu
by Jack Bowers
In 1983, Art Blakey invited fellow timekeeper Ralph Peterson to perform with Blakey's two-drummer big band at the Boston Globe Jazz Festival. It was a life-changing experience for Peterson, whose debut album with his Boston-based GenNext Big Band, I Remember Bu, honors Blakey's memory (the late drummer's Muslim name was Abdullah ibn Buhaina, and he was ...
Helena Kay's KIM Trio: Moon Palace
by Roger Farbey
Young Scottish Jazz Musician of the Year 2015, Helena Kay is joined on her debut album by Ferg Ireland on bass and David Ingamells on drums. Kay studied for a BMus Jazz at the Guildhall School of Music and Drama in London, graduating in 2016 with First Class Honours. She was also awarded the Anjool Malde ...
Ben Zahler's Songgoing: Quietly Cold
by Chris Mosey
Swiss flautist Ben Zahler names his principal influences as Herbie Mann and Eric Dolphy. Having said that, he immediately backtracks. Mann was too commercial, Dolphy too experimental. Zahler positions himself somewhere between the two. He strives to avoid the “streamlined sluggishness" of Mann and similarly has no truck with way-out, overblowing excess a ...
Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Matt Kane: The Other Side of the Story
by Don Phipps
Composer and drummer Matt Kane can write tunes. The Other Side of the Story is loaded with head-nodding musical episodes and pastoral, day-dream ballads. The compositions (all written by Kane) have a Joe Zawinul / Wayne Shorter feel to them, but Kane's own masterful voice is clearly evident in the music. Kane's bandmates contribute ...
SUSS: Ghost Box - Expanded
by Mark Sullivan
The band SUSS first presented their “psychedelic ambient country instrumentals" on Ghost Box (Self Produced, 2018), a delightful and unexpected window into an eclectic ambient soundscape. That 35-minute session is expanded into nearly an hour here. The first seven tracks reproduce the original album in the original order. The group is a quintet whose ...
Kyle Nasser: Persistent Fancy
by Hrayr Attarian
Saxophonist Kyle Nasser follows his 2015 self-released debut, the captivating Restive Soul, with the equally intriguing Persistent Fancy. On it Nasser's writing has matured and his ideas crystalized resulting in vibrant and compelling originals. The title track is an intricately crafted and passionate tune that brims with refreshing spontaneity. Bursts of saxophone notes complement ...
Dwiki Dharmawan: Rumah Batu
by Friedrich Kunzmann
On his third album for Moonjune Records, Indonesian pianist Dwiki Dharmawan delivers a highly focused work and presents a wide array of styles, bound together by a core quintet and one common musical vision. While its predecessor Pasar Klewer found Dharmawan working with two alternating guitarists over a two-disc set of compositions, on Rumah ...
Dakhla Brass: Murmur
by Chris May
It never really went away, but during the late 2010s there has been a measurable upsurge of interest in brassy, post-marching-band jazz in Britain. A high-carat jewel on the London scene over the last few years has been tuba player Theon Cross and his band Fyah. Cross also brings his dextrous bass line magic to several ...
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