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Rob Clearfield: Wherever You're Starting From
by Dan Bilawsky
While there's much value in observing, studying, and utilizing the arc of an idea or improvisation in its entirety, too little emphasis is often placed on the worth of the individual occurrences within. For in these (somewhat) micro moments exists a level of discovery and compositional integrity far greater than many imagine. It's this very idea--improvising ...
Nightports w/Matthew Bourne: Nightports
by Gareth Thompson
The night he was named Perrier Young Jazz Musician 2001, pianist Matthew Bourne gave a performance that rather set out his stall. Using stillness and eruptions in the mode of Ran Blake, with soundtrack samples from Willy Wonka, Bourne played like a man possessed. Since then he's left few tones unturned in the search for new ...
James Brandon Lewis and Chad Taylor: Radiant Imprints
by Mark Corroto
When saxophonist James Brandon Lewis released Divine Travels (Okeh, 2014) with bassist William Parker and drummer Gerald Cleaver, the jazz world went from “who is this guy?" to “make space at the table," because listeners had discovered a truly distinctive voice. After that came Days Of Freeman (Okeh, 2015) with Jamaaladeen Tacuma and Rudy Royston and ...
Seun Kuti & Egypt 80: Black Times
by Chris May
Seun Kuti's fourth album fronting Egypt 80, the all-conquering Afrobeat band he inherited from his father, Fela Kuti, marks the end of an era--and also supports the maxim that the more things change, the more they stay the same. Black Times is the first album released by Egypt 80 not to feature saxophonist and ...
Adam Holzman: Truth Decay
by John Kelman
Truly a musician's musician, Adam Holzman's career, visibility-wise, has waxed and waned over the keyboardist's thirty-year career, but he's never been less than busy. His time spent with Miles Davis, during the last years of the music icon's life, helped raise the masterful and broad-reaching keyboardist/producer's profile. Certainly, based on his work with jazz artists including ...
Zhenya Strigalev: Blues For Maggie
by Roger Farbey
The follow-up to Zhenya Strigalev's idiosyncratic Never Group (Whirlwind 2016) takes a rather different tack, opening with the reggae-infused “Not Upset" and utilising a new creation, a so-called “alto box." His deployment of his erstwhile college mate from London's Royal Academy of Music, Chilean guitarist Federico Dannemann is a genius move. It's easy to see why ...
Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London
by Mark Corroto
Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.
Oded Tzur: Translator's Note
by Neri Pollastri
Si dice un gran bene di questo giovane sassofonista israeliano di stanza a New York, qui giunto al secondo lavoro da leader alla testa di un quartetto che include i connazionali Shai Maestro e Ziv Ravitz e il greco Petros Klampanis. In programma sue musiche originali e il coltraneano «Lonnie's Lament». E in effetti ...
Josh Lawrence & Color Theory: Contrast
by Paul Rauch
Trumpeter Josh Lawrence has had a long and diverse trek to where he is now. Beginning in his native New Jersey, he has embraced jazz culture in Philadelphia, Europe, and finally New York City, where he has gained a solid reputation as a musician, bandleader, and composer. On his second release for the Posi-Tone ...
Jo David Meyer Lysne & Mats Eilertsen: Meander
by Mark Sullivan
Norwegian guitarist Jo David Meyer Lysne and double bassist Mats Eilertsen make their debut as a duo here. Meyer Lysne is a young player with a very individual approach to the acoustic guitar; Eilertsen is a veteran with over a hundred recordings on his resume, experience that really helps to bring Meyer Lysne's concepts into focus. ...
