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11

Article: Album Review

David Ake: Humanities

Read "Humanities" reviewed by David A. Orthmann


The group that pianist/composer David Ake assembles for Humanities thrives on change and doesn't care all that much for boundaries, familiar stylistic references, or decorum. Distinctions between written material and improvisation, soloists and accompaniment, are subject to transformation, collapse, consolidation and mutation. Nothing stays on exactly the same course for very long. Featuring Ake, Ralph Alessi's ...

8

Article: Album Review

Anna Kolchina: Wild Is The Wind

Read "Wild Is The Wind" reviewed by C. Michael Bailey


Anna Kolchina's debut Wild is the Wind is a masterclass in ensemble performance. Backed by pianist John Di Martino, bassist Peter Washington, and drummer Willie Jones, Kolchina is more an equal quartet member than a singer backed by a trio. This is experienced immediately on the title piece, where Kolchina's delicately-played voice peeks out from behind ...

3

Article: Album Review

Radka Toneff: Fairytales

Read "Fairytales" reviewed by Gareth Thompson


Norway's best-selling jazz album ever is also a recording laced with tragedy. Only weeks after its 1982 release, singer Radka Toneff was found dead in the Bygdøy woods, near Oslo. She was aged thirty. The verdict was suicide caused by an overdose of sleeping pills. Toneff was born in 1952 and by her ...

3

Article: Album Review

Dan Siegel: Origins

Read "Origins" reviewed by Dan Bilawsky


Keyboard ace Dan Siegel's music has “contemporary chic" written all over it. Having worked a smooth seam for decades and crafted a fair amount of music for television and film, he knows a thing or two about putting together a tight arrangement, pulling from different stylistic sources, contracting the right players for a job, and producing ...

10

Article: Album Review

Kira Kira: Bright Force

Read "Bright Force" reviewed by Karl Ackermann


Pianist Satoko Fujii was playing for the Sydney Improvised Music Association in 2007 when she first crossed paths with composer/keyboardist/effects artist Alister Spence. Kindred spirits in terms of boundless musical interests, their initial collaboration took place in 2008 after their respective groups shared the stage at the Tokyo Jazz Festival. Later that year, the two recorded ...

2

Article: Album Review

John Proulx: Say It

Read "Say It" reviewed by C. Michael Bailey


Vocalist/pianist John Proulx has previously released three exceptional recordings on the MAXJAZZ Label (now owned by Mack Avenue Records): Moon and Sand (2006); The Best Thing For You (2006); and Baker's Dozen: Remembering Chet Baker (2016). With the death of MAXJAZZ founder Richard McDonnell, Proulx elected to self-release his recording Say It. The recording is produced ...

63

Article: Album Review

Lucas Niggli: Alchemia Garden

Read "Alchemia Garden" reviewed by Glenn Astarita


Powerhouse Swiss drummer Lucas Niggli augments this solo effort with ethnocentric percussion instruments, that largely emphasizes his well-rounded musical approach. He draws inspiration from his gardening hobby, classical composers and fellow countryman, drumming great Pierre Favre. As a leader and collaborator, Niggli's longstanding affiliation and extensive discography with this pioneering Swiss label features a cavalcade of ...

3

Article: Album Review

Jay Leonhart: Don't You Wish

Read "Don't You Wish" reviewed by Dr. Judith Schlesinger


After experimenting with other instruments, a phase described in the title track, “Don't You Wish," Jay Leonhart locked onto the bass at the age of 13. Later inspired and mentored by the legendary Ray Brown, he began his stellar career which included playing with icons Duke Ellington, Judy Garland, Buddy Rich, Sarah Vaughan, Mel Torme, and ...

4

Article: Album Review

Linley Hamilton: Making Other Arrangements

Read "Making Other Arrangements" reviewed by Bruce Lindsay


Making Other Arrangements has been a long time coming--over 25 years, since trumpeter and broadcaster Linley Hamilton first heard Freddie Hubbard's Ride Like The Wind and decided that one day he, too, would make an album with a large ensemble. It's been worth the wait. Hamilton's third album as leader is lush, romantic and beautifully performed. ...

3

Article: Album Review

Carl Michel: Music in Motian

Read "Music in Motian" reviewed by Mike Jurkovic


Late drummer, texturalist, bandleader, and composer Paul Motian holds a revered space in the post-bop of the last half century. From early stints with Lennie Tristano and Coleman Hawkins to his seared-into-legend work with Bill Evans on Sunday at the Village Vanguard (Riverside Records, 1961), and Waltz for Debby (Riverside Records, 1962)); through his fiery live ...


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