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Nik Bärtsch's Ronin: Awase
by Mike Jurkovic
After “Modul 60," the reflective and tranquil opener to Awase, from pianist Nik Bärtsch's groove-metric quartet Ronin, “Modul 58" comes at you with such an insistence and power that it leaves you, after its persistent eighteen minutes, catching your breath, marveling at how you went from zero to mach 10 in the blink of an eye. ...
Scott Reeves Jazz Orchestra: Without A Trace
by Jack Bowers
Grudging good wishes to New Yorkers who are able to see and hear the world-class Scott Reeves Jazz Orchestra on a fairly regular basis. Everyone else must make do with the occasional recording (Without a Trace is only the second by the ten-year-old ensemble which made its debut in 2008). That's not nearly enough, of course, ...
Jon Rune Strøm Quintet: Fragments
by John Sharpe
Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas ...
Chris Platt: Sky Glow
by Friedrich Kunzmann
Toronto-based guitarist Chris Platt's debut outing stands out among releases by his contemporaries because, among other things, of its creation of singular nuances within the structural and sonic conventions of a classical jazz trio—rather than following the prevailing modern atmospheric-approach, which seems to be dominated by sound in place of composition. With the support of fellow ...
Paula Shocron, Germán Lamonega, Pablo Diaz: Tensegridad
by Alberto Bazzurro
Una pianista di Rosario, un bassista e un batterista dell'area di Buenos Aires, età media qualche anno sopra i trenta, compongono uno dei trii pianistici più eccitanti che ci sia capitato di ascoltare da un po' di tempo in qua. La formula, si sa, è stereotipata, tipizzata, come nessun'altra, per cui se il vento che attraversa ...
Amir ElSaffar Rivers of Sound: Rivers of Sound
by Angelo Leonardi
Questa monumentale opera del compositore e trombettista iracheno-americano sviluppa una sintesi musicale iniziata nel 2006 col sestetto Two Rivers di cui facevano parte anche il sassofonista Rudresh Mahanthappa e il batterista Nasheet Waits. Amir ElSaffar fonde il jazz d'avanguardia con alcune forme tradizionali orientali: la dimensione melodica microtonale del maqam convive con un cangiante tappeto ritmico ...
Alina Bzhezhinska: Inspiration
by Chris May
Among the highpoints of London's 2017 jazz diary was the Barbican Centre's A Concert for Alice and John. The event commemorated the 50th and 10th anniversaries of the passing of John Coltrane and Alice Coltrane. It was headlined by Pharoah Sanders, the most distinguished surviving member of bands led by the Coltranes, who turned in an ...
Vince Tampio: Sound Plan
by Geno Thackara
Just about every musician has those moments when they get stuck in overly familiar territory or unsure where to turn next. When in doubt, it helps to consider: WWMDD (What Would Miles Davis Do)? If following the Chief's example (understandably) isn't a universal rule in real life, it's still a mostly good one in the musical ...
Tamuz Nissim: Echo of a Heartbeat
by Jerome Wilson
Tamuz Nissim is a young woman in the classic mold of a jazz singer. She can interpret lyrics sensitively, breeze through instrumental pieces with adept use of vocalese and scatting, and even write her own songs. She is originally from Tel Aviv but has lived in New York since 2015 and has cultivated relationships with several ...
Colin Hinton: Glassbath
by Glenn Astarita
Brooklyn-based drummer / composer / educator, Colin Hinton's debut release presents an aggregation of hip, punk jazz via guitarist Edward Gavitt's acerbic, distortion-tinged phrasings and a variety of noise-shaping processes and pulsating, off-centered dialogues with tenor saxophonist Peyton Pleninger. The press release alludes to semblances of acclaimed drummer Jim Black's Alas No Axis band along with ...
