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Snarky Puppy: The Whole Family
by Tyler Henderson
Snarky Puppy is currently one of the freshest sounds in modern jazz. Lead by bassist Michael League, the young troupe of North Texas grads mixed in with the best and brightest of the New York and Dallas music scenes features a funk and groove style that can't be matched. Snarky Puppy is coming off ...
Tiempo Libre: Back in Havana
by Luellen Smiley
Sometimes an interview with a musician goes deeper than a narrative history of recordings, concert calendar and early training. That happened when I met Jorge Gómez; founder, keyboardist and musical director of Tiempo Libre, an all Cuban born Timba band. We met in a modest hotel room in Santa Fe, New Mexico where he and his ...
Gene Ess: Blending Passionate and Pensive
by Jud Branam
Fresh off the release of Fractal Attraction (Simp, 2013), which blends traditional combo jazz lineups and approaches with a unique take on vocal jazz, Gene Ess is a man with a lot on his mind as it pertains to career, place--and music in general. Ess is enthusiastic about his love of jazz, classical and ...
Poncho Sanchez: Mambo King
by Steve Bryant
For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally ...
Mike Dillon: Rhythm Method
by Mike Chamberlain
Percussionist/vibraphonist/bandleader Mike Dillon's music defies easy categorization. It's been called “punk jazz," a term that describes working methods--do it yourself, find your own voice--more than actual sounds.Dillon sports a wide-ranging musical résumé. He has led or has been a member of outfits such as Critters Buggin, Les Claypool's Fancy Band, The Dead Kenny G's, ...
Zach Brock: The New Meritocracy of Jazz
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]About a month or so ago, I had the pleasure of performing in a duo setting with violinist Zach Brock. I've known Brock for years; we met and played together a few times in New York City. However, this was our first ...
Leo Blanco: Haiku for Bells
by Bruce Lindsay
Leo Blanco is a musician who's immersed in the music of his South American homeland of Venezuela. The pianist may live in the USA--he teaches piano at Berklee--but his Venezuelan upbringing remains central to his work. It's a little surprising, then, to discover that Blanco isn't solely a product of Latin American culture. In conversation backstage ...
Alexi Tuomarila: From Helsinki to Timbuktu
by Bruce Lindsay
Sometimes a person can be in the right place, just not quite at the right time. So it was for Finnish pianist Alexi Tuomarila. After his debut album with his quartet, Voices of Pohjola (Igloo Records, 2001), he signed to Warner Jazz in the early '00s, while he was still in his 20s. The second quartet ...
Kawabata Makoto: Music Concrete, Space Resurrection, Self-Annihilation
by Jack Gold-Molina
Hailing from Japan, Kawabata Makoto has been a leader in psychedelic rock and experimental music, and an active performer and solo artist since the late 1970s. Mostly famous as a founding member/guitarist for Acid Mothers Temple since the mid- 1990s, he has released literally dozens of albums--many on psychedelic-colored vinyl-- and has done vital work with ...
Alisha Pattillo: Houston by Way of Singapore
by C. Michael Bailey
Reed multi-instrumentalist Alisha Pattillo has a ubiquitous presence in Houston Texas, appearing with her own groups, which take on a variety of formats: Alisha's Quartet, Alisha's Quartet + 1 and Alisha's Quartet - 1. She is also the reed player for the Ezra Charles Band and Steve Krase & The in Crowd. Pattillo ...
