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Steve Coleman: Symbols and Language
by Ian Patterson
Saxophonist Steve Coleman's The Mancy of Sound (Pi Recordings, 2011) was one of the records of 2011. Thematically and structurally challenging on the one hand, dynamic and funky on the other, the music's contrasts reflect Coleman's view of the world, in all its complexity and simplicity. Coleman's fierce intellect carries simple logic, wrapped in many-layered waves ...
Fini Bearman: Step Up
by Bruce Lindsay
Step Up is the debut from British vocalist/songwriter Fini Bearman. Bearman has studied with Judy Niemack, and lists Gretchen Parlato as an influence--two singers with the ability to inhabit the lyrics of a song, giving the impression that even well-worn songbook standards were written about their lives. Bearman shares that quality and also has Cassandra Wilson's ...
Penang Island Jazz Festival: Penang, Malaysia, Dec 1-4, 2011
by Ian Patterson
8th Penang Island Jazz FestivalPenang, MalaysiaDecember 1-4, 2011 For small, independent jazz festivals heavily reliant on private sector sponsorship, it can be a jungle out there. In the case of the Penang Island Jazz Festival, sandwiched between the Straits of Malacca and tropical forest, this is literally true. Monkeys, civet and leopard ...
Cassandra Wilson - Redemption SOng
Featuring the music of Cassandra Wilson
Duration: 6:23
Terri Lyne Carrington: The Mosaic Project
by Mark F. Turner
Historically, female artists have not gotten the props they've deserved in jazz's male-dominated environment. Though imperfect, things have improved, thanks in part to the efforts of Billie Holiday, Mary Lou Williams, Marian McPartland, and other matriarchs who helped pave the way for a current generation of stellar voices as assembled in drummer/composer Terri Lyne Carrington's exceptional ...
Rene Marie: Black Lace Freudian Slip
by Dan Bilawsky
Budding jazz instrumentalists are often told that they need to find their own voice but, ironically, those who use their actual voices are often expected to adhere to the sonic standards of those who came before. Fans and press who value originality in jazz instrumentalists wring their hands in frustration when more John Coltrane clones come ...
Achille Succi: Nuances and Articulations
by Glenn Astarita
Saxophonist and bass clarinetist Achille Succi has recently been singled out as “one of the European musicians to keep an eye on in the next ten years" by (Bill Schoemaker in Giornale Della Musica (January 2010), while journalist Mario Gamba defines him as a “genius of Italian Jazz" in Alias (March 20th, 2010). Born ...
Tierney Sutton: American Road
by Dan Bilawsky
While Tierney Sutton's oeuvre is, essentially, a survey of American music in all of its glory, the shades of red, white and blue that pop up on American Road are far more vivid than any that have appeared in her work before. Sutton and her musical soul mates, who've been with her for nearly two decades, ...
The Tierney Sutton Band: American Road
by C. Michael Bailey
The Tierney Sutton BandAmerican RoadBFM Jazz2011 Solidly innovative and a forward-thinker in jazz vocals arena over the past 15 years, Tierney Sutton has constantly looked backwards while forging a future path that has influenced the likes of Laurie Antonioli and Gretchen Parlato, among many other noted contemporary ...
Steve Coleman and Five Elements: The Mancy of Sound
by Mark F. Turner
A saxophonist of a different order--part griot, theorist, numerologist, and incessant seeker of knowledge-- Steve Coleman continues to forge new paths in creative music. He's influenced more of today's forward thinking artists than almost anyone in recent memory with his proven M-Base concepts. His critically acclaimed 2010 recording, Harvesting Semblances and Affinities (Pi Recordings), was a ...
