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Clifford Brown and Max Roach in 1954: New Research
by Nick Catalano
Jazz history is all about revisionism. New material about musicians--biographical information, newly discovered recordings and photos, corrected anecdotes and stories -are some of the areas where history is constantly evolving. This is an important process and writers should always be aware of it and report its occurrences. Since I published my book on ...
Il fascino sostenibile della leggerezza #2
by Alberto Bazzurro
In poche parole ci riproviamo: a tagliare una seconda volta in orizzontale, grosso modo a distanza di un semestre, una fetta di produzione discografica, a conti fatti dischi arrivati nell'ultimo paio di mesi (ma in due o tre casi usciti in precedenza), per soppesare quanto il titolo di quel primo “sopralluogo" (a tesi) (clicca qui per ...
Paul Jost: The First Thing is Heart
by Chris M. Slawecki
Even for a musician who has been playing and singing since age six, Paul Jost has just come through one exceptional year. First, he released his debut with The Jost Project, Can't Find My Way Home (2013, Dot.Time Records), featuring the leader on vocals, harmonica and guitar, with drummer Charlie Patierno, double bassist Kevin ...
Paul Jost: Breaking Through
by Gloria Krolak
One of the most endearing moments of jazz vocalist Paul Jost's new solo CD, Breaking Through, in an album of many such moments, is perhaps his chuckle and the “Oh, George," he lets out after a fresh rendition of “Singing in the Rain." Endearing because Jost connects with the listener by the sigh meant for and ...
John Fogerty at the Paramount
by Mike Perciaccante
John Fogerty The Paramount Huntington, NY January 30, 2014 John Fogerty's musical modus operandi encompasses many different styles: Americana, roots rock, Southern rock, psychedelia, swamp rock, country, rockabilly, blues and pop--in short, good old fashioned rock 'n' roll. His songs read like the soundtrack of the past forty ...
Charles Mingus: Blues and Roots/Mingus Three/Jazz Portraits/Jazzical Moods
by David Rickert
Charles MingusBlues and Roots/Mingus Three/Jazz Portraits/Jazzical MoodsAvid Records2011 (1954-59) If you have a fondness for a particular album by Charles Mingus, chances are you won't find another quite like it in his catalog. The bassist and composer had one of the most wide-ranging careers of anyone in ...
Benny Green Trio: Source
by Larry Taylor
Benny Green, now 48, is entering his middle years. Early on he was hailed as a budding master; today he has fully blossomed into one of the jazz world's finest pianists. Equally comfortable with a fast-paced piece and or a sensitive ballad, he is a go-to guy for sessions as back-up or leader. His last recordings ...
Derek & the Dominos’ "Layla & Other Assorted Love Songs" Turns 40
Derek & the Dominos' Layla & Other Assorted Love Songs Turns 40! One of Eric Clapton's Defining Albums Marks its 40th Anniversary on March 29th with Deluxe Multi-format Edition Featuring New and Long-Unavailable Music and Never-Seen Photos In the world of rock there are recordings that truly resonate in historical importance and continue to cast an ...
Eli "Paperboy" Reed at Joe's Pub, March 31, 2010
by Ernest Barteldes
Eli “Paperboy" Reed and the True Loves Joe's Pub March 31, 2010 New York, NY Playing before a nearly sold-out crowd, the seven-piece True Loves (Freddy DeBoe: Baritone Sax; Mike Brooks: Tenor Sax; Patriq Moody: Trumpet; Jerrell Clopton: Drums; Michael Montgomery: Bass; Ryan Spraker: Guitar; J.B. ...
Frank Butler on Curtis Counce's "Landslide"
by David A. Orthmann
“Man, I feel like cookin' this evening,"* Frank Butler proclaimed while setting up his drums in the Contemporary Records studio on October 6, 1956. Over a half-century later, his words still have the ring of absolute truth. The session, led by bassist Curtis Counce and released in 1957 as Landslide, was an incandescent beginning to Butler's ...
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